Literary Character of Men of Genius: Drawn from Their Own Feelings and ConfessionsDisraeli, Isaac
General
Literary Character of Men of Genius: Drawn from Their Own Feelings and Confessions
Disraeli, Isaac
Authors, English; James I, King of England, 1566-1625; Literature
But men of genius, in their intercourse with persons of fashion, have a
secret inducement to court that circle. They feel a perpetual want of
having the reality of their talents confirmed to themselves, and they
often step into society to observe in what degree they are objects of
attention; for, though ever accused of vanity, the greater part of men of
genius feel that their existence, as such, must depend on the opinion of
others. This standard is in truth always problematical and variable; yet
they cannot hope to find a more certain one among their rivals, who at all
times are adroitly depreciating their brothers, and "dusking" their
lustre. They discover among those cultivators of literature and the arts
who have recourse to them for their pleasure, impassioned admirers, rather
than unmerciful judges--judges who have only time to acquire that degree
of illumination which is just sufficient to set at ease the fears of these
claimants of genius.
When literary men assemble together, what mimetic friendships, in their
mutual corruption! Creatures of intrigue, they borrow other men's eyes,
and act by feelings often even contrary to their own: they wear a mask on
their face, and only sing a tune they have caught. Some hierophant in
their mysteries proclaims their elect whom they have to initiate, and
their profane who are to stand apart under their ban. They bend to the
spirit of the age, but they do not elevate the public to them; they care
not for truth, but only study to produce effect, and they do nothing for
fame but what obtains an instant purpose. Yet their fame is not therefore
the more real, for everything connected with fashion becomes obsolete. Her
ear has a great susceptibility of weariness, and her eye rolls for
incessant novelty. Never was she earnest for anything. Men's minds with
her become tarnished and old-fashioned as furniture. But the steams of
rich dinners, the eye which sparkles with the wines of France, the
luxurious night which flames with more heat and brilliancy than God has
made the day, this is the world the man of coterie-celebrity has chosen;
and the Epicurean, as long as his senses do not cease to act, laughs at
the few who retire to the solitary midnight lamp. Posthumous fame is--a
nothing! Such men live like unbelievers in a future state, and their
narrow calculating spirit coldly dies in their artificial world: but true
genius looks at a nobler source of its existence; it catches inspiration
in its insulated studies; and to the great genius, who feels how his
present is necessarily connected with his future celebrity, posthumous
fame is a reality, for the sense acts upon him!
Public-domain text, read in full here on John Shaqi.
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