Literary Pilgrimages of a NaturalistPackard, Winthrop
History
Literary Pilgrimages of a Naturalist
Packard, Winthrop
Natural history -- Outdoor books; New England -- Description and travel
Into the upper end of Chocorua Lake flows a brook of transparent
water, fed by melting snows, out of “the heart of the mountain.”
Along this the song of the water thrush leads the wanderer from
one limpid pool to another, a song that has in it some of the
liquid prattle of the stream but more of a dominant, aggressive
note that carries far. There is a touch of sunlight in the color
of the water thrush’s breast, sunlight flecked with little brown
shadow markings that are like the uniform brown of his back, and
if it were not that he sticks so closely to the water he might
suggest the oven-bird to the careless glance. There is something
of the song sparrow and the oven-bird at once in his song. It
is as if the two birds had mated to produce him and the singing
masters of both families had had the youngsters to singing school.
Up this clear-water brook the oven-birds call you by way of the
height of land, the water thrushes from pool to pool, while the sun
drops behind Paugus in mid afternoon, and the blue shadows of the
Sandwich range add to the cool gloom which wells upward from the
deep gorge which is the heart of the mountains.
On the way, as the water thrushes and Maryland yellow-throats
sing from the thickets near the water, so the oven-bird sends
his aggressive staccato from the middle distances of the higher
trees. I never knew an oven-bird to sing from either a treetop or
a low thicket. Always he sits on a limb well up the trunk yet well
beneath the shade also, and sends forth that aggressive, eager
call for knowledge. “Teach us, teach us, teach us,” he cries to
the wood gods, nor is he ever satisfied with his schooling, but
applies persistently for more. The oven-bird is the very voice of
the spirit of modern learning, crying always, in the wilderness of
knowledge attained, for more knowledge. The wood gods have taught
him much. Invisibility for himself he has almost learned. He sits
like a knot on a speckled brown limb, and his speckled brown breast
is so much like it that he may sing long there within a little
distance of your eye before you see him. Invisibility for his nest
he and his demure brown wife have learned completely. You may sit
on it to rest among the brown leaves in the wood and not know it is
there; unless the frightened escape of the brown mother birds gives
you a hint, and even then it is invisible, so completely is it
hidden in the debris dropped by the previous autumn. Of dead weed
stalks, grasses and brown leaves it is not only built but roofed,
and with an entrance on one side that to the uninitiated might be
an entrance to the nest of a field mouse, indeed, but never that
to a bird’s nest. It is not for greater knowledge of nest hiding
that the oven-bird need pray to the wood gods, nor may we know what
further wisdom he seeks, but all summer long he asks for it in no
uncertain tones.
Public-domain text, read in full here on John Shaqi.
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