The biography of Mr. Keightley is on a very different scale. He tells
the story of Milton’s career in about half a small volume. Probably this
is a little too concise, and the narrative is somewhat dry and bare. It
is often, however, acute, and is always clear; and even were its defects
greater than they are, we should think it unseemly to criticise the last
work of one who has performed so many useful services to literature with
extreme severity.
The bare outline of Milton’s life is very well known. We have all heard
that he was born in the latter years of King James, just when Puritanism
was collecting its strength for the approaching struggle; that his father
and mother were quiet good people, inclined, but not immoderately, to
that persuasion; that he went up to Cambridge early, and had some kind of
dissension with the authorities there; that the course of his youth was
in a singular degree pure and staid; that in boyhood he was a devourer of
books, and that he early became, and always remained, a severely studious
man; that he married, and had difficulties of a peculiar character with
his first wife; that he wrote on Divorce; that after the death of his
first wife, he married a second time a lady who died very soon, and a
third time a person who survived him more than fifty years; that he wrote
early poems of singular beauty, which we still read; that he travelled
in Italy, and exhibited his learning in the academies there; that he
plunged deep in the theological and political controversies of his
time; that he kept a school, or rather, in our more modern phrase, took
pupils; that he was a republican of a peculiar kind, and of ‘no church,’
which Dr. Johnson thought dangerous; that he was Secretary for Foreign
Languages under the Long Parliament, and retained that office after
the coup-d’état of Cromwell; that he defended the death of Charles the
First, and became blind from writing a book in haste upon that subject;
that after the Restoration he was naturally in a position of some danger
and much difficulty; that in the midst of that difficulty he wrote
‘Paradise Lost;’ that he did not fail in heart or hope, but lived for
fourteen years after the destruction of all for which he had laboured,
in serene retirement, ‘though fallen on evil days, though fallen on evil
times;’—all this we have heard from our boyhood. How much is wanting to
complete the picture—how many traits, both noble and painful, might be
recovered from the past—we shall never know, till some biographer skilled
in interpreting the details of human nature shall select this subject for
his art.
Public-domain text, read in full here on John Shaqi.
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