But they are dead. ‘“So am not I,” said the foolish fat scullion.’ We
are the English of the present day. We have cows and calves, corn and
cotton; we hate the Russians; we know where the Crimea is; we believe in
Manchester the great. A large expanse is around us; a fertile land of
corn and orchards, and pleasant hedgerows, and rising trees, and noble
prospects, and large black woods, and old church towers. The din of
great cities comes mellowed from afar. The green fields, the half-hidden
hamlets, the gentle leaves, soothe us with ‘a sweet inland murmur.’ We
have before us a vast seat of interest, and toil, and beauty, and power,
and this our own. Here is our home. The use of foreign literature is
like the use of foreign travel. It imprints in early and susceptible
years a deep impression of great, and strange, and noble objects; but we
cannot live with these. They do not resemble our familiar life; they do
not bind themselves to our intimate affection; they are picturesque and
striking, like strangers and wayfarers, but they are not of our home,
or homely; they cannot speak to our ‘business and bosoms’; they cannot
touch the hearth of the soul. It would be better to have no outlandish
literature in the mind than to have it the principal thing. We should
be like accomplished vagabonds without a country, like men with a
hundred acquaintances and no friends. We need an intellectual possession
analogous to our own life; which reflects, embodies, improves it; on
which we can repose; which will recur to us in the placid moments—which
will be a latent principle even in the acute crises of our life. Let us
be thankful if our researches in foreign literature enable us, as rightly
used they will enable us, better to comprehend our own. Let us venerate
what is old, and marvel at what is far. Let us read our own books. Let us
understand ourselves.
With these principles, if such they may be called, in our minds, we
gladly devote these early pages of our journal[32] to the new edition
of Cowper, with which Mr. Bell has favoured us. There is no writer
more exclusively English. There is no one—or hardly one, perhaps—whose
excellences are more natural to our soil, and seem so little able to
bear transplantation. We do not remember to have seen his name in any
continental book. Professed histories of English literature, we dare say,
name him; but we cannot recall any such familiar and cursory mention as
would evince a real knowledge and hearty appreciation of his writings.
The edition itself is a good one. The life of Cowper, which is
prefixed to it, though not striking, is sensible. The notes are clear,
explanatory, and, so far as we know, accurate. The special introductions
to each of the poems are short and judicious, and bring to the mind at
the proper moment the passages in Cowper’s letters most clearly relating
to the work in hand. The typography is not very elegant, but it is plain
and business-like. There is no affectation of cheap ornament.
Public-domain text, read in full here on John Shaqi.
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