Or again, speaking of the lower animals: ‘Can anything be more marvellous
or startling, than that we should have a race of beings about us, whom
we do but see, and as little know their state, or can describe their
interests or their destiny, as we can tell of the inhabitants of the
sun and moon? It is indeed a very overpowering thought, that we hold
intercourse with creatures who are as much strangers to us, as mysterious
as if they were the fabulous, unearthly beings, more powerful than man,
and yet his slaves, which Eastern superstitions have invented.... Cast
your thoughts abroad on the whole number of them, large and small, in
vast forests, or in the water, or in the air, and then say whether the
presence of such countless multitudes, so various in their natures, so
strange and wild in their shapes, is not’ as incredible as anything can
be. We go into a street, and see it thronged with men, and we say, Is
it _true_, _are_ there these men? We look on a creeping river, till we
say, _Is_ there this river? We enter the law courts: we watch the patient
Chancellor: we hear the droning wigs:—surely this is not real,—this is
a dream,—nobody would do _that_,—it is a delusion. We are really, as
the sceptics insinuate, but ‘sensations and impressions,’ in groups or
alone, that float up and down; or, as the poet teaches, phantoms and
images, whose idle stir but mocks the calm reality of the ‘pictures on
the wall.’ All this will be called dreamy; but it is exactly because it
_is_ dreamy that we notice it. Hartley Coleridge was a dreamer: he began
with Ejuxrea, and throughout his years, he but slumbered and slept. Life
was to him a floating haze, a disputable mirage: you must not treat him
like a believer in stocks and stones—you might as well say he was a man
of business.
Hartley’s school education is not worth recounting; but beside and along
with it there was another education, on every side of him, singularly
calculated to bring out the peculiar aptitudes of an imaginative mind,
yet exactly, on that very account, very little likely to bring it down
to fact and reality, to mix it with miry clay, or define its dreams by
a daily reference to the common and necessary earth. He was bred up in
the house of Mr. Southey, where, more than anywhere else in all England,
it was held that literature and poetry are the aim and object of every
true man, and that grocery and other affairs lie beneath at an wholly
immeasurable distance, to be attended to by the inferior animals. In
Hartley’s case the seed fell on fitting soil. In youth, and even in
childhood, he was a not unintelligent listener to the unspeakable talk of
the Lake poets.
Public-domain text, read in full here on John Shaqi.
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