novelist would be to show how this operates in human character; to exhibit in their curious modification our religious love, and also our religious fear. In the novels of Scott the two elements appear in a state of separation, as they did in his own mind. We have the superstition of the peasantry in the _Antiquary_, in _Guy Mannering_, everywhere almost; we have likewise a pervading tone of genial easy reflection characteristic of the man of the world who produced, and agreeable to the people of the world who read, these works. But we have no picture of the two in combination. We are scarcely led to think on the subject at all, so much do other subjects distract our interest; but if we do think, we are puzzled at the contrast. We do not know which is true, the uneasy belief of superstition, or the easy satisfaction of the world; we waver between the two, and have no suggestion even hinted to us of the possibility of a reconciliation. The character of the Puritans certainly did not in general embody such a reconciliation, but it might have been made by a sympathising artist the vehicle for a delineation of a struggle after it. The two elements of love and fear ranked side by side in their minds with an intensity which is rare even in minds that feel only one of them. The delineation of Scott is amusing, but superficial. He caught the ludicrous traits which tempt the mirthful imagination, but no other side of the character pleased him. The man of the world was displeased with their obstinate interfering zeal; their intensity of faith was an opposition force in the old Scotch polity, of which he liked to fancy the harmonious working. They were superstitious enough; but nobody likes other people’s superstitions. Scott’s were of a wholly different kind. He made no difficulty as to the observance of Christmas-day, and would have eaten potatoes without the faintest scruple, although their name does not occur in Scripture. Doubtless also his residence in the land of Puritanism did not incline him to give anything except a satirical representation of that belief. You must not expect from a Dissenter a faithful appreciation of the creed from which he dissents. You cannot be impartial on the religion of the place in which you live; you may believe it, or you may dislike it; it crosses your path in too many forms for you to be able to look at it with equanimity. Scott had rather a rigid form of Puritanism forced upon him in his infancy; it is asking too much to expect him to be partial to it. The aspect of religion which Scott delineates best is that which appears in griefs, especially in the grief of strong characters. His strong _natural_ nature felt the power of death. He has given us many pictures of rude and simple men subdued, if only for a moment, into devotion by its presence.