He describes the
figs which are sold, but not the talent which sells figs well. And it is
the same want of diffused sagacity in his own nature which has made his
pictures of life so odd and disjointed, and which has deprived them of
symmetry and unity.
The _bizarrerie_ of Mr. Dickens’s genius is rendered more remarkable by
the inordinate measure of his special excellences. The first of these is
his power of observation in detail. We have heard,—we do not know whether
correctly or incorrectly,—that he can go down a crowded street, and tell
you all that is in it, what each shop was, what the grocer’s name was,
how many scraps of orange-peel there were on the pavement. His works give
you exactly the same idea. The amount of detail which there is in them is
something amazing,—to an ordinary writer something incredible. There are
single pages containing telling _minutiæ_, which other people would have
thought enough for a volume. Nor is his sensibility to external objects,
though omnivorous, insensible to the artistic effect of each. There are
scarcely anywhere such pictures of London as he draws. No writer has
equally comprehended the artistic material which is given by its extent,
its aggregation of different elements, its mouldiness, its brilliancy.
Nor does his genius—though, from some idiosyncrasy of mind or accident of
external situation, it is more especially directed to City life—at all
stop at the Citywall. He is especially at home in the picturesque and
obvious parts of country life, particularly in the comfortable and (so to
say) mouldering portion of it. The following is an instance; if not the
best that could be cited, still one of the best:—
‘They arranged to proceed upon their journey next evening, as a
stage-wagon, which travelled for some distance on the same road
as they must take, would stop at the inn to change horses, and
the driver for a small gratuity would give Nell a place inside.
A bargain was soon struck when the wagon came; and in due time
it rolled away; with the child comfortably bestowed among the
softer packages, her grandfather and the schoolmaster walking
on beside the driver, and the landlady and all the good folks
of the inn screaming out their good wishes and farewells.
Public-domain text, read in full here on John Shaqi.
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