the more credulous, and the more fervent, were able to persevere; those
who had not distinct perceptions of real truth, who were dreamy and
fanciful by nature, persevered without difficulty. But Mr. Clough could
not do so; he felt it was ‘something factitious.’ He began to speak of
the ‘ruinous force of the will,’ and ‘our terrible notions of duty.’ He
ceased to be a Newmanite.
Thus Mr. Clough’s career and life were exactly those most likely to
develop and foster a morbid peculiarity of his intellect. He had, as we
have explained, by nature an unusual difficulty in forming a creed as to
the unseen world; he could not get the visible world out of his head; his
strong grasp of plain facts and obvious matters was a difficulty to him.
Too easily one great teacher inculcated a remarkable creed; then another
great teacher took it away; then this second teacher made him believe
for a time some of his own artificial faith; then it would not do. He
fell back on that vague, impalpable, unembodied religion which we have
attempted to describe.
He has himself given in a poem, now first published, a very remarkable
description of this curious state of mind. He has prefixed to it the
characteristic motto, ‘_Il doutait de tout, même de l’amour_.’ It is the
delineation of a certain love-passage in the life of a hesitating young
gentleman, who was in Rome at the time of the revolution of 1848; who
could not make up his mind about the revolution, who could not make up
his mind whether he liked Rome, who could not make up his mind whether
he liked the young lady, who let her go away without him, who went in
pursuit of her, and could not make out which way to look for her,—who,
in fine, has some sort of religion, but cannot himself tell what it is.
The poem was not published in the author’s lifetime, and there are some
lines which we are persuaded he would have further polished, and some
parts which he would have improved, if he had seen them in print. It
is written in conversational hexameters, in a tone of semi-satire and
half-belief. Part of the commencement is a good example of them:
Public-domain text, read in full here on John Shaqi.
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