Folded in Sabine recesses the valley and villa of Horace;
Tibur I shall not see;—but something better I shall see.
Twice I have tried before, and failed in getting the horses;
Twice I have tried and failed: this time it shall not be a failure.’
But, of course, he does not reach Florence till the heroine and her
family are gone; and he hunts after them through North Italy, not very
skilfully, and then he returns to Rome; and he reflects, certainly not in
a very dignified or heroic manner:
‘I cannot stay at Florence, not even to wait for a letter.
Galleries only oppress me. Remembrance of hope I had cherished
(Almost more than as hope, when I passed through Florence the first time)
Lies like a sword in my soul. I am more a coward than ever,
Chicken-hearted, past thought. The _cafés_ and waiters distress me.
All is unkind, and, alas! I am ready for any one’s kindness.
Oh, I knew it of old, and knew it, I thought, to perfection,
If there is any one thing in the world to preclude all kindness,
It is the need of it,—it is this sad, self-defeating dependence.
Why is this, Eustace? Myself, were I stronger, I think I could tell you.
But it is odd when it comes. So plumb I the deeps of depression,
Daily in deeper, and find no support, no will, no purpose.
All my old strengths are gone. And yet I shall have to do something.
Ah, the key of our life, that passes all wards, opens all locks,
Is not _I will_, but _I must_. I must,—I must,—and I do it.
‘After all, do I know that I really cared so about her?
Do whatever I will, I cannot call up her image;
For when I close my eyes, I see, very likely, St. Peter’s,
Or the Pantheon façade, or Michael Angelo’s figures,
Or, at a wish, when I please, the Alban hills and the Forum,—
But that face, those eyes,—ah no, never anything like them;
Only, try as I will, a sort of featureless outline,
And a pale blank orb, which no recollection will add to.
After all, perhaps there was something factitious about it;
I have had pain, it is true: I have wept, and so have the actors.
Public-domain text, read in full here on John Shaqi.
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