‘Yes! I will steal from the world, and not a babbling tongue
shall tell where I am—Echo shall not so much as whisper my
hiding-place—suffer thy imagination to paint it as a little
sun-gilt cottage, on the side of a romantic hill—dost thou
think I will leave love and friendship behind me? No! they
shall be my companions in solitude, for they will sit down and
rise up with me in the amiable form of my L.—We will be as
merry and as innocent as our first parents in Paradise, before
the arch fiend entered that undescribable scene.
‘The kindest affections will have room to shoot and expand in
our retirement, and produce such fruit as madness, and envy,
and ambition have always killed in the bud.—Let the human
tempest and hurricane rage at a distance, the desolation is
beyond the horizon of peace. My L. has seen a polyanthus blow
in December—some friendly wall has sheltered it from the biting
wind. No planetary influence shall reach us, but that which
presides and cherishes the sweetest flowers.—God preserve us!
how delightful this prospect in idea! We will build, and we
will plant, in our own way—simplicity shall not be tortured
by art—we will learn of nature how to live—she shall be our
alchymist, to mingle all the good of life into one salubrious
draught.—The gloomy family of care and distrust shall be
banished from our dwelling, guarded by thy kind and tutelar
deity—we will sing our choral songs of gratitude, and rejoice
to the end of our pilgrimage.
‘Adieu, my L. Return to one who languishes for thy society.
L. STERNE.’
The beautiful language with which young ladies were wooed a century ago
is a characteristic of that extinct age; at least, we fear that no such
beautiful English will be discovered when our secret repositories are
ransacked. The age of ridicule has come in, and the age of good words has
gone out.
There is no reason to doubt, however, that Sterne was really in love with
Mrs. Sterne. People have doubted it because of these beautiful words;
but, in fact, Sterne was just the sort of man to be subject to this kind
of feeling. He took—and to this he owes his fame—the _sensitive_ view
of life. He regarded it not from the point of view of intellect, or
conscience, or religion, but in the plain way in which natural feeling
impresses, and will always impress, a natural person. He is a great
author; certainly not because of great thoughts, for there is scarcely a
sentence in his writings which can be called a thought; nor from sublime
conceptions which enlarge the limits of our imagination, for he never
leaves the sensuous,—but because of his wonderful sympathy with, and
wonderful power of representing, simple human nature. The best passages
in Sterne are those which every one knows, like this:
Public-domain text, read in full here on John Shaqi.
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