American essays; Literature -- History and criticism
After one has lived half a century, and maybe long before, his watch
begins to lose time; the years come faster than he is ready for them;
while he is yet occupied with the old, the new is upon him. How alien
and unfriendly seem the new years, strangers whom we reluctantly
entertain for a time but with whom we seem hardly to get on speaking
terms,--with what uncivil haste they come rushing in! One writes down
the figures on his letters or in his journals, but they all seem alien;
before one has become at all intimate with them, so that they come to
mean anything special to him, they are gone. While he is yet occupied
with the sixties, living upon the thoughts and experiences which they
brought him, the seventies have come and gone and the eighties have
knocked at his door.
The earlier years one took to his heart as he did his early friends.
How much we made of them; what varied hues and aspects they wore; how
we came to know each other; how rounded and complete were all things!
Ah, the old friends and the old years, we cannot separate them; they
had a quality and an affinity for us that we cannot find in the new.
The new years and the new friends come and go, and leave no impression.
Youth makes all the world plastic; it creates all things anew; youth is
Adam in Paradise, from which the burdens and the experiences of manhood
will by and by cause him to depart with longing and sorrow. “When we
were young,” says Schopenhauer, “we were completely absorbed in our
immediate surroundings; there was nothing to distract our attention
from them; we looked upon the objects about us as though they were the
only ones of their kind,--as though, indeed, nothing else existed at
all.”
It is perhaps inevitable that a man of sensibility and imagination
should grow conservative as he grows old. The new is more and more
distasteful to him. Did you ever go back to the old homestead where you
had passed your youth or your early manhood, and find the old house,
the old barn, the old orchard, in fact all the old landmarks gone? What
a desecration, you thought. The new buildings, how hateful they look to
you! They mean nothing to you but the obliteration of that which meant
so much. This experience proves nothing except that the past becomes a
part of our very selves; our roots, our beginnings, are there, and we
bleed when old things are cut away.
After a certain age is reached, how trivial and flitting seem the new
generations! The people whom we found upon the stage when we came into
the world,--the middle-aged and the elderly people who were bearing
the brunt of the battle,--they seem important and like a part of the
natural system of things. When they pass away what a void they leave!
Those who take their places, the new set, do not seem to fill the bill
at all. But the chances are that they are essentially the same class of
people, and will seem as permanent and important to our children as the
old people did to us.
Public-domain text, read in full here on John Shaqi.
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