American essays; Literature -- History and criticism
How can these youths here by our side feel as we have felt, see what we
have seen, have the same joys and sorrows, the same friends, the same
experiences, see the world clad in the same hues, feel the same ties of
home, of father and mother, of school and comrades, when all the world
is so changed,--when these things and persons that were so much to us
are forever past? What is there left? How can life bring to them what
it brought to us? But it will. The same story is told over and over to
each succeeding generation, and each finds it new and true for them
alone. As we find our past in others, so our youths will find their
past in us, and find it unique and peculiar.
The lives of men are like the sparks that shoot upward; the same in the
first ages as in the last, each blazing its brief moment as it leaps
forth, some attaining a greater brilliancy or a higher flight than
others, but all ending at last in the same black obscurity. Or they
are like the waves that break upon the shore; one generation following
swift upon the course of another, repeating the same evolutions, and
crumbling and vanishing in the same way.
Probably no man ever lost his father or his mother or his bosom friend
without feeling that no one else could ever have had just such an
experience. Carlyle, in writing to Emerson shortly after each had lost
his mother, said, “You too have lost your good old mother, who stayed
with you like mine, clear to the last; alas, alas, it is the oldest Law
of Nature; and it comes on every one of us with a strange originality,
as if it had never happened before!”
Speaking of these two rare men, each so attractive to the other, how
unlike they were in their attitude toward the past,--the one with
that yearning, wistful, backward glance, bearing the burden of an Old
World sorrow and remorse, long generations of baffled, repressed,
struggling humanity coming to full consciousness in him; the other
serene, hopeful, optimistic, with the spell of the New World upon him,
turning cheerfully and confidently to the future! Emerson describes
himself as an endless seeker with no past at his back. He seemed to
have no regrets, no wistful retrospections. His mood is affirmative
and expectant. The power of the past was not upon him, but it had laid
its hand heavily upon his British brother, so heavily that at times it
almost overpowered him. Carlyle’s dominant note is distinctively that
of retrospection. He yearns for the old days. The dead call to him from
their graves. In the present he sees little, from the future he expects
less; all is in the past. How he magnifies it, how he re-creates it and
reads his own heroic temper into it! The twelfth century is more to him
than the nineteenth.
Public-domain text, read in full here on John Shaqi.
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