Paraphrasing is a process of doubtful value. It is never possible to express the precise meaning or mood in other words, and in the case of verse it serves to destroy the sense of inviolability of form that one would desire to develop and deepen. The direction, "State the same thought in other words," should never be given. To one delicately alive to the value of words and the shades of thought, it is a mere contradiction in terms. The same may be said of the practice of getting the children to substitute synonyms; in literature, especially in poetry, there can be no true synonyms, and no precisely synonymous expressions. Many pleasant experiments are to be made in connecting some of the handwork of the youngest children with their literature. The attempt to realize some of their images in actual stuff constitutes an artistic experiment that has its literary reverberations, and helps to deepen the association. Let them make a cloak for _Little Red Riding-Hood_, a fairies' coach of a nut shell, a boat, a tent--or whatever little object or property is imbedded in the story. Out of practically every story, and out of many of the poems, they get an inspiration for a picture or a bit of modeling. Such associations with literature are legitimate and natural. This appears very clear when we reflect that we are hoping to cultivate the taste and imagination of the children, and to teach them to love human life, with all that this implies, as well as to drill them in language, grammar, and writing. It seems necessary to handle aspects of the problem of language and writing in connection with literature in several different places, as we come upon the topic from different points of view. As has been said before, it is the duty of the teacher of literature, and of the lessons in literature, to help along the work in the language arts. It is even fair to assume that the children will take more interest in their composition lessons, and will get more profit out of them, when they are attached to something they have done in literature; but this is because they get out of literature more impulse toward creation, and more inspiration toward a beautiful and striking manner of expression. But composition is not merely a medium of creative expression; it is a means of plain communication, and should be developed in both directions and from both sources. This means that the children should write in connection with all their subjects, so that they do not, on the one hand, associate "English" and writing with literature only, and do not, on the other hand, run the risk of forming no style but a literary style.