American literature -- History and criticism; Authors, American
"I used to see Whitman often when he and I were working in Washington.
And he came up to see me here. When I was in Washington Whitman used to
like to come up to our house for Sunday morning breakfast. Mrs.
Burroughs makes capital pancakes, and Walt was very fond of them, but he
was always late for breakfast. The coffee would boil over, the griddle
would smoke, car after car would go jingling by, and no Walt. But a car
would stop at last, and Walt would roll off it and saunter up to the
door--cheery, vigorous, serene, putting every one in good humor. And how
he ate! He radiated health and hopefulness. This is what made his work
among the sick soldiers in Washington of such inestimable value. Every
one who came into personal relations with him felt his rare, compelling
charm.
"Very few young literary men of Whitman's day accepted him. Stedman did,
and the fact is greatly to his credit. Howells and Aldrich were repelled
by his bigness. All the Boston poets except Emerson hesitated. Emerson
didn't hesitate--unlike Lowell and Holmes, he kept open house for big
ideas."
I asked Mr. Burroughs what, in his opinion, had brought about the change
in the world's attitude toward Whitman.
"Well," he replied, looking thoughtfully into the radiant depths of the
open fire, "when Whitman first appeared we were all subservient to the
conventional standards of English literature. We understood and
appreciated only the pretty and exact. Whitman came in his working-man's
garb, in his shirt sleeves he sauntered into the parlor of literature.
"We resented it. But the young men nowadays are more liberal. More and
more Whitman is forcing on them his open-air standards. Science
supplemented by the human heart gives us a bigger and freer world than
our forefathers knew. And then the European acceptance of Whitman had
had its effect. We take our point of view so largely from Europe. And a
force like Whitman's must be felt slowly; it's a cumulative thing."
"You believe," I said, "that Whitman is our greatest poet?"
"Oh yes," he replied, "Whitman is the greatest poet America has
produced. He is great with the qualities that make Homer and the classic
poets great. Emerson is more precious, more intellectual. Whitman and
Emerson are our two greatest poets."
While we strolled over the pleasant turf and watched a wood-thrush
resting in the cool of the evening above her half-built nest among the
cherry blossoms, John Burroughs returned to the subject that we had
discussed on our way from the station--the city's evil effect on
literature.
Public-domain text, read in full here on John Shaqi.
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