The two daughters, Jane and Maria, had naturally very sweet voices, and when they were little, trilled tunes in a very pleasant and bird-like manner. But now, having been instructed by the best masters, and heard the very first artists, they never sing or play; the piano is shut, and their voices are dumb. If you request a song, they tell you that they never sing now; papa has such an exquisite taste, he takes no interest in any common music; in short, having heard Jenny Lind, Grisi, Alboni, Mario, and others of the tuneful shell, this family have concluded to abide in silence. As to any music that _they_ could make, it isn’t to be thought of. For the same reason, the daughters, after attending a quarter or two on the drawing-exercises of a celebrated teacher, threw up their pencils in disgust, and tore up very pretty and agreeable sketches which were the marvel of their good-natured admiring neighbors. If they could draw like Signor Scratchalini, if they could hope to become perfect artists, they tell you, they would have persevered; but they have taken lessons enough to learn that drawing is the labor of a lifetime, and, not having a lifetime to give to it, they resolve to do nothing at all. They have also, for a similar reason, given up letter-writing. If their chirography were as elegant as Charlotte Cushman’s,--if they were perfect mistresses of polite English,--if they were gifted with wit, humor, and fancy, like the first masters of style,--they would take pleasure in epistolary composition, and be good correspondents; but anything short of that is so intolerable, that, except in cases of life and death or urgent business, you cannot get a line out of them. Yet they write very fair, agreeable, womanly letters, and would write much better ones, if they allowed themselves a little more practice.