American fiction -- 19th century; Short stories, American
For love seemed the sole motive of old Wardelow’s life. The cemetery
which the thoughtful projectors of New Boston had presented to the
inhabitants had for its only occupant the wife of old Wardelow; and she
had been conveyed thereto by a husband who was both young and handsome.
The freshet which had, soon afterward, swept the town, had carried with
it Wardelow’s only child, a boy of seven years, who had been playing in
a boat which he, in some way, unloosed.
From that day the father had found no trace of his child, yet he never
ceased hoping for his return. Every steamboat captain on the river knew
the old man, and the roughest of them had cheerfully replied in the
affirmative when asked if they wouldn’t bring up a small boy who might
some day come on board, report himself as Stevie Wardelow, and ask to be
taken to New Boston.
Almost every steamboat man, from captain and pilot down to fireman and
roustabout, carried and posted Wardelow’s circulars wherever they
went—up Red River, the Yazoo, the White, the Arkansas, the Missouri, and
all the smaller tributaries of the Mississippi.
New Boston had long been dropped from the list of post-towns, but every
cross-road for miles around had a fingerboard showing the direction and
telling the distance to New Boston. Upon a tall cottonwood-tree on the
river-bank, and nearly in front of Wardelow’s residence, was an immense
signboard bearing the name of “New Boston Landing,” and on the other
side of the river, at a ferry-staging belonging to a crossing whose
other terminus was a mile further down the river, was a sign which
informed travelers that persons wishing to go to New Boston would find a
skiff marked “Wardelow” tied near the staging.
The old man never went to Mount Pisgah for stores, or up the river to
fish, or even into his own cornfield and garden, without affixing to his
door a placard telling where he had gone and when he would return.
When he went to the cemetery, which he frequently did, a statement to
that effect, and a plan showing the route to and through the cemetery,
was always appended to his door, and, as he could never clearly imagine
his boy as having passed the childhood in which he had last seen him,
all the signboards, placards, and circulars were in large capital
letters.
Even when the river overflowed its banks, which it did nearly every
Spring, the old man did not leave his house. He would not have another
story built upon it, as he was advised to do, lest Stevie might fail to
recognize it on his return; but, after careful study, he had the house
raised until the foundation was above high-water mark, and then had the
ground made higher, but sloped so gradually that the boy could not
notice the change.
Public-domain text, read in full here on John Shaqi.
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