His stay of fourteen months in Germany gave him a firm hold on the language, and a goodly glimpse into the philosophy of Kant, Leibnitz and Schleiermacher. When Coleridge returned to England, he went at once to see his interesting family. Rumor has it that Mrs. Coleridge, in addition to caring for her own little brood and assisting in the Southey household, had also been working in the Keswick lead-pencil factory for a weekly wage of twelve shillings. The philosopher did not much like this lowering of dignity, and said so mildly. This led to the truthful explanation that he had hardly done his duty by his family in allowing them to shift for themselves or be cared for by kinsmen; and therefore advice from him was out of place. In short, Southey intimated that while he would care for his sisters-in-law he drew the line at brothers-in-law. And Samuel Taylor Coleridge drifted up to London (being down) to see if something would not turn up. His first task there was to translate "Werther," but the work did not seem to go. Grub Street took up the brilliant talker, and for a time he gave parlor lectures and filled the air of thought and speculation with his brilliant pyrotechnics. The force of his mind was everywhere acknowledged, but someway he did not seem to get on. Men who have managed the finances of a nation often have not been able successfully to control their own; and more than once we have had the spectacle of one who could do the thinking for a world failing in the humdrum duties of a citizen and neighbor. Coleridge tried various things, among others a secretaryship that took him to Malta, but the lack of system in his habits and his absent-mindedness made him the prey and butt of "practical" men. When Carlyle said that no more dreary record than the lives of authors existed, save the Newgate Calendar, he spoke truth. That the lives of most authors is a series of misunderstandings, blunders, heart-burnings, tragedies, is a fact. The author is a man who diverts and amuses us by doing the things we would do if we had time; and if we like him it is only because he expresses the things we already know. His is a hard task, requiring intense concentration—a concentration that can only be continued for a short time without the absolute burning out of existence. To think one's best and write out ideas is an abnormal operation. The most artistic work is always done in a sort of fever or ecstacy, which in its very nature is transient. To hunt and fish and dream and to work with one's hands are all very natural; but to sit down and think and then express your thoughts by the artificial scheme of writing on paper is a dangerous operation. If carried to excess it shall be paid for by your life. Coleridge had turned night into day in his hot zeal to follow the winding, dancing mystery of existence to its inmost recess. At times he had forgotten to eat or sleep; and then to reinforce despairing nature he had resorted to stimulants.