Wallace grasped his gun and followed, lured by the demoniac shape. A little of the superstition of the natives had gotten into his veins: he dare not kill the thing unless it came toward him, and he had to shoot it in self-defense. It traveled in the trees about as fast as he could on the ground. Occasionally it would stop and chatter at him, throwing sticks in a most human way, as if to order him back. Finally, the instincts of the naturalist got the better of the man, and he shot the animal. It came tumbling to the ground with a terrific crash, grasping at the vines and leaves as it fell. It was quite dead, but Wallace approached it with great caution. It proved to be a female, of moderate size, in height about three and a half feet, six feet across from finger to finger. Needless to say that Wallace had to do the skinning and the mounting of the skeleton alone. His servants had chills of fear if asked to approach it. The skeleton of this particular orang can now be seen in the Derby Museum. In a few hours after killing his first orang, Wallace heard a peculiar crying in the forest, and on search found a young one, evidently the baby of the one he had killed. The baby did not show any fear at all, evidently thinking it was with one of its kind, for it clung to him piteously, with an almost human tenderness. Says Wallace: "When handled or nursed it was very quiet and contented, but when laid down by itself would invariably cry; and for the first few nights was very restless and noisy. I soon found it necessary to wash the little mias as well. After I had done so a few times it came to like the operation, and after rolling in the mud would begin crying, and continue until I took it out and carried it to the spout, when it immediately became quiet, although it would wince a little at the first rush of the cold water, and make ridiculously wry faces while the stream was running over its head. It enjoyed the wiping and rubbing dry amazingly, and when I brushed its hair seemed to be perfectly happy, lying quite still with its arms and legs stretched out. It was a never-failing amusement to observe the curious changes of countenance by which it would express its approval or dislike of what was given to it. The poor little thing would lick its lips, draw in its cheeks, and turn up its eyes with an expression of the most supreme satisfaction, when it had a mouthful particularly to its taste. On the other hand, when its food was not sufficiently sweet or palatable, it would turn the mouthful about with its tongue for a moment, as if trying to extract what flavor there was, and then push it all out between its lips. If the same food was continued, it would proceed to scream and kick about violently, exactly like a baby in a passion.