Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great MusiciansHubbard, Elbert
History
Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great Musicians
Hubbard, Elbert
Composers
Elyria: As intimated in a former chapter, I was a successful farmer
before I went to college. I was also a manufacturer, and made a success
in this business, too. I made a fortune of a hundred thousand dollars
before I was thirty, and should have it yet had I sat down and watched
it. If you go into a railroad-car and sit down by the side of your
valise (or manuscript), in an hour your valuables will probably be there
all right.
But if you leave the valise (or the manuscript) in a seat and go into
another car, when you come back the goods may be there and they may not.
That is the only way to keep money--fasten your eye right on it. If you
leave it in the hands of others, and go away to delve in books, the
probabilities are that, when you get back, certain obese attorneys have
divided your substance among them.
However, there is good in every exigency of life, and to know that your
fortune is gone is a great relief. When the trial is ended and the
prisoner has received his sentence, he feels a great relief, for it is
only the unknown that fills our souls with apprehension.
* * * * *
Cleveland: In all the realm of artistic history no record of such
extremes can be found in one life as those seen in the life of Mozart.
The nearest approach to it is found in the career of Rembrandt, who won
fame and fortune at thirty, and then holding the pennant high for ten
years, his powers began to decline. It took twenty-six years of steady
down grade to ditch his destinies in a pauper's grave.
But Rembrandt, during his lifetime, was scarcely known out of Holland,
whereas Mozart not only won the nod of nobility, and the favor of the
highest in his own land, but he went into the enemy's country and
captured Italy. Mozart's art never languished: he held a firm grip on
sublime verities right to the day of his death. The high-water mark in
Mozart's career was reached in those two years in Italy, when in his
thirteenth and fourteenth years. The arts all go hand in hand, for the
reason that strong men inspire strong men, and each does what he can do
best. In painting, sculpture and music (not to mention Antonio
Stradivari of Cremona) Italy has led the world. A hundred years ago no
musician could hope for the world's acclaim until Italy had placed its
stamp of approval upon him.
Savants in Milan, Florence, Padua, Rome, Verona, Venice and Naples,
tested the powers of young Mozart to their fullest; and although he had
to overcome doubt and the prejudice arising from being "a barbaric
German," yet the highest honors were at the last ungrudgingly paid him.
He was enrolled as an honorary member of numerous musical societies, old
musicians gave their blessings, proud ladies craved the privilege of
kissing his fair forehead, and the Pope conferred upon the gifted boy
the Order of the Golden Spur, which gave him the right to have his mail
come directed to "The Signor Cavaliere Mozarti."
Public-domain text, read in full here on John Shaqi.
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