Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great MusiciansHubbard, Elbert
History
Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great Musicians
Hubbard, Elbert
Composers
When at long intervals a sum would come his way from a generous admirer
touched with pity, all the beggars in the neighborhood seemed to know it
at once. Then it was that music filled the air at the beer-garden,
carking care and unkind fate were for the time forgot, and all went
merry as a wedding-bell.
Finally the position of Court Musician to the Emperor of Austria fell
vacant, and certain good friends of Mozart secured him the place. But
the Emperor was not like Frederick the Great, for he could not
distinguish one tune from another, and did not consider it any special
virtue so to do. The result was that his musicians were looked after by
his valet, and Mozart found that his position was really no better than
it had been with the Archbishop of Salzburg.
And still his mind proved infirm of purpose, and he had not the courage
to demand his right, for fear he might lose even the little that he
had.
* * * * *
Buffalo: Mozart was in his twentieth year when he met Aloysia Weber. She
was a gifted singer, surely, and was needlessly healthy. She was of that
peculiar, heartless type that finds digression in leading men a merry
chase and then flaunting and flouting them. Young Mozart, the
impressionable, Mozart the delicate and sensitive, Mozart the AEolian
harp, played upon by every passing breeze, loved this bouncing bundle of
pink-and-white tyranny.
She encouraged the passion, and it gradually grew until it absorbed the
boy and he grew oblivious to all else. He lived in her smile, bathed in
the sunshine of her presence, fed on her words, and as for her singing
in opera it was not so much what her voice was now but what he was sure
it would be.
His glowing imagination made good her every deficiency. He thought he
loved the girl. It was not the girl at all he loved: he only loved the
ideal that existed in his own heart. His father opposed the mating and
hastily transferred the youth from Vienna to Paris; but who ever heard
of opposition and argument and forced separation curing love? So matters
ran on and letters and messages passed, and finally Mozart made his way
back to Vienna and with breathless haste sought out the object of his
whole heart's love.
She had recently met a man she liked better, and as she could not hold
them both, treated Mozart as a stranger, and froze him to the marrow.
He was crushed, undone, and a fit of sickness followed. In his illness,
Constance, a younger sister of Aloysia, came to him in pity and nursed
him as a child. Very naturally, all the love he had felt for Aloysia was
easily and readily transferred to Constance. The tendrils of the heart
ruthlessly uprooted cling to the first object that presents itself.
Public-domain text, read in full here on John Shaqi.
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