Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great MusiciansHubbard, Elbert
History
Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great Musicians
Hubbard, Elbert
Composers
Methodists, ii, 227;
origin of name, ix, 25.
Michallon, Achille, companion of Corot, vi, 198.
Michelangelo, i, 131; iv, 90; xii, 84;
age of, iv, 6; ix, 94;
birth of, iv, 7;
influence of, upon Leonardo, iv, 7;
appearance of, iv, 7;
manner of living, iv, 7;
compared with Leonardo, iv, 8;
his figures of women, iv, 9;
beginning of his artistic work, iv, 9;
his parents, iv, 10;
his apprenticeship, iv, 13;
his patron, Lorenzo, iv, 13;
life of, in Florence, iv, 15;
arrival in Bologna, iv, 16;
life of, in Rome, iv, 18;
his work in Florence, iv, 22;
the Sistine Chapel, iv, 28;
the Church of San Lorenzo, iv, 31;
chief architect of Saint Peter's, iv, 34;
death of, iv, 35;
sonnets of, iv, 36;
America's tribute to, iv, 35;
Sebastian Bach compared with, xiv, 137;
Cellini and, vi, 281;
Landseer compared with, iv, 326;
Leonardo and, vi, 28;
other self of, v, 106;
rivalry between Raphael and, iv, 31;
on Raphael, vi, 36;
compared with Titian, iv, 146;
compared with Walt Whitman, i, 170.
Michel, Emile, on Rembrandt, iv, 40.
Microscopic portrayal, vi, 203.
Middendorf, William, and Froebel, x, 258.
Middle Ages, the, x, 127;
art and life in the, v, 18;
monks of the, ii, 189.
Middle class, the, x, 225.
_Midsummer Night's Dream_, Shakespeare, i, 304.
_Mignon_, Ary Scheffer's painting, iv, 246.
Milan Academy of Art, founding of, vi, 55.
Milburn, the blind preacher, iii, 40; v, 85.
Millais' friendship for Thackeray, i, 236.
Miller, Hugh, geologist, xii, 265.
Miller, Joaquin, referred to, i, 195; xiii, 22.
Millet, Francois, his influence on art, iv, 269;
nature of, iv, 261;
ancestry of, iv, 263;
Parisian experience of, iv, 267;
poverty of, iv, 272;
marriage of, iv, 273;
student in the atelier of Delaroche, iv, 274;
second marriage of, iv, 275;
devotion of, to wife and children, iv, 276;
home of, in Barbizon, iv, 278;
friends of, iv, 279;
recognition of, iv, 280;
vogue of, iv, 282;
_The Angelus_, vi, 215;
Corot and, vi, 213;
Dore compared with, iv, 346;
influence of, viii, 205;
style of, vi, 214;
Wagner compared with, iv, 259;
Whitman compared with, iv, 259.
Millionaires, v, 311; xi, 389;
limitations of, xi, 226;
machine-made, v, 81.
Mill, John Stuart, i, 95; xiii, 85;
_Autobiography_, xiii, 153;
Bradlaugh and, xiii, 171;
Robert Browning compared with, xiii, 170;
Thomas Carlyle on, xiii, 151;
on Coleridge, v, 289;
as a member of the House of Commons, xiii, 171;
Auguste Comte and, viii, 257;
Henry George and, ix, 74;
Huxley compared with, xii, 311;
_Logic_, xiii, 160;
Justin McCarthy on, xiii, 160;
Macaulay on, v, 185;
John Morley on, xiii, 160;
_On Liberty_, xiii, 142;
quoted, vii, 217;
Bishop Spalding on, xiii, 162.
_Mill on the Floss, The_, Eliot, i, 53; v, 148.
Mills, B. Fay, ix, 184, 283.
Mills hotels, the, xi, 327.
Milnes, Monckton, and Robert Browning, v, 55;
Alfred Tennyson and, v, 76.
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