Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great MusiciansHubbard, Elbert
History
Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great Musicians
Hubbard, Elbert
Composers
On one such annual reunion he took his little boy, Johann Sebastian,
eight years old. The boy's mother had died a year or so before, and
after the mother's death the father seemed to think more of his children
than ever before--which is often the case, I'm told.
They walked the distance, about forty miles, in two days, to where the
festival occurred. It was one of the white milestones in the boy's
life--that trip with its revelation of sleeping in barns, singing, and
playing on many instruments, dining by the wayside, all winding up with
a solemn service at a great stone church, where the preacher gave them
his benediction, and the great company separated with handshakings,
embracings and tears, to meet again in a year. Johann Ambrosius did not
attend the next reunion. Before the Spring had come and birds sang
blithely, a band composed of twenty-five played funeral-dirges at his
grave--and little Johann Sebastian was an orphan.
Johann Sebastian's elder brother, Christoph, who had married a few years
before and moved away, attended the funeral, and when he went back home
he took little Johann Sebastian with him--there was no other place to
go. The lad was allowed to take one thing with him as a remembrance of
the home that he was now leaving forever--his father's violin in a green
bag, with a leathern drawstring. On the bag were his father's initials,
woven into the cloth by the boy's mother--a present from sweetheart to
lover before their marriage.
Christoph was a musician, too, and a prosperous fellow--quite the
antithesis of his father. It takes a lot of love to bring up a child,
and the miracle of mother-love is a constant wonder to every thinking
person. Without mother-love how would the cross-grained, perverse little
tyrant ever survive the buffets which the world is sure to give? It is
love that makes existence possible.
Christoph wished to be kind to his little brother, but it was a kindness
of the head and not of the heart. Only an hour a day was allowed the boy
for playing on the violin he had brought in the green bag, because
Christoph and his wife "did not want to hear the noise." Then when the
boy stole off to the forest and played there, he was waylaid on the way
home and well cuffed for disobeying orders. All this seems very much
like the Goneril and Cordelia business, or the history of Cinderella,
but as Johann Sebastian told it himself in the after-years, we have
reason to believe it was not fiction.
Little Johann Sebastian had been his father's favorite, and this fact
perhaps made Christoph fear the boy was going to tread in his father's
lazy footsteps. So he set about to discipline the lad.
Public-domain text, read in full here on John Shaqi.
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