Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great MusiciansHubbard, Elbert
History
Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great Musicians
Hubbard, Elbert
Composers
The old man is seated in his armchair near the window that opens on the
garden. The youth is at the piano and plays from time to time to
illustrate his thought, then turns and talks, and the old man nods in
recognition. The boy sings and the old man chords in with a deep, mellow
bass which the years have not subdued.
When there are others present these two may romp, joke and talk
much--masking their hearts by frivolity--but together they sit in
silence, or speak only in lowered voices as all true lovers always do.
Their conversation is sparse and to the point; each is mindful of the
dignity and worth that the other possesses: each recognizes the respect
that is due to the mind that knows and the heart that feels. "All souls
are of one age."
* * * * *
With one exception, Felix Mendelssohn was unlike all the great composers
who lived before him--he was born in affluence; during his life all the
money he could use was his. No struggle for recognition marked his
growth. He never knew the pang of being misunderstood by the public he
sought to serve. Whether these things were to his lasting disadvantage,
as many aver, will forever remain a question of opinion.
Felix Mendelssohn was the culminating flower of a long line of exquisite
culture. He was an orchid that does not reproduce itself. With him died
the race. All that beauty of soul, vivacity, candor and sparkling
gaiety, with the nerved-up capacity for work, were but the flaring up of
life ere it goes out in the night of death. Such men never found either
a race or a school. They are the comets that dash across the plane of
our vision, obeying no orbit, leaving behind only a memory of blinding
light.
The character of Mendelssohn was distinctly feminine, and it follows
that his music should be played by men and not by women, otherwise we
get a suggestion of softness and tameness that is apt to pall. Man, like
Deity, creates in his own image.
Sorrow had never pierced the heart of this prosperous and very
respectable person.
He was never guilty of indiscretion or excess, and no demon of
discontent haunted his dreams.
Public-domain text, read in full here on John Shaqi.
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