Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great MusiciansHubbard, Elbert
History
Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great Musicians
Hubbard, Elbert
Composers
At this time there was no piano at the Liszt cottage, but the boy
learned to play at the neighbors', and practised at the palace of the
Prince. His father and mother once took him there to hear Hummel. On
this occasion Hummel played the Concerto by Reis in C minor. At the
close of the performance, little Franz climbed up on the piano-stool and
very solemnly played the same thing himself, to the immense delight of
the listeners.
The father of Liszt has recorded that at this time the child was but
three years old, but after taking off the proper per cent for the pride
of a fond parent, the probabilities are the boy was five. This is the
better attested when we remember that it was only a few weeks later
that, on the request of Prince Esterhazy, the boy played at a concert in
Oedenburg.
This launched the boy on that public career which was to continue for
just seventy years. There is good evidence that the boy could read music
before he could read writing, and that he threw into his playing such
feeling and expression as Ferdinand Reis, who merely imitated his
master, Beethoven, had never anticipated. That is to say, when he played
"Reis," he improved on him, with variations all his own--attempts often
made with the work of great composers, but which incur risks not
advised.
It will be seen that Liszt, although born in poverty, was from the very
first in a distinctly musical environment. He could not remember a time
when he did not attend the band-concerts--his parents wanted to go, and
took the baby because there were no servants to take charge of him at
home. Music was in the air, and everybody discussed it, just as in Italy
you may hear the beggars in the streets criticizing art.
The delightful insouciance of this child-pianist won the heart of every
hearer, and his success quite turned the head of his father, the worthy
bookkeeper.
To give the child the advantages of an education was now his parents'
one ambition. Having no money of his own, the father importuned his
employer, the Prince, who rather smiled at the thought of spending time
and money on such an elfin-like child. His playing was, of course,
phenomenal, unaccountable, a sort of bursting out of the sun's rays,
and, like the rainbow, a thing not to be seized upon and kept. It was
mere precocity, and precocity is a rareripe fruit, with a worm at the
core. This discouragement of the over-ambitious father was probably
wise, for it gave the boy a chance to play I-Spy and leapfrog in the
streets of the village, and to roam the fields. The lad became strong
and well, and when ten years of age he had grown into a handsome
youngster with already those marks of will and purpose on his beautiful
face that were to be his credentials to place and power.
He had often played at concerts in the towns and villages about, and
when there were visitors at the palace this fine, slim son of the
bookkeeper was sent for to entertain them.
Public-domain text, read in full here on John Shaqi.
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