The snake on the ground, coloured like the ground and shaped like the
dead curved sticks or vines seen everywhere on the ground, and
motionless like the vine, does not more closely assimilate to its
surroundings than birds in trees often do--the birds which the Indian
must also see. A stranger in these regions, even the naturalist with a
sight quickened by enthusiasm, finds it hard to detect a parrot in a
lofty tree, even when he knows that parrots are there; for their
greenness in the green foliage and the correlated habit they possess of
remaining silent and motionless in the presence of an intruder, make
them invisible to him, and he is astonished that the Indian should be
able to detect them. The Indian knows how to look for them; it is his
trade, which is long to learn; but he is obliged to learn it, for his
success in life, and even life itself, depends on it, since in the
savage state Nature kills those who fail in her competitive
examinations.
The reader has doubtless often seen those little picture-puzzles,
variously labelled "Where's the Cat?" or "Mad Bull," or "Burglar," or
"Policeman," or "Snake in the Grass," etc., in which the thing named and
to be discovered is formed by branches and foliage and by running water
and drapery and lights and shadows in the sketch. At first one finds it
extremely difficult to detect this picture within a picture; and at
last, with the suddenness with which one invariably detects a
dull-coloured snake, seen previously but not distinguished--the object
sought for appears, and is thereafter so plain to the eye that one
cannot look at the sketch, even held at a distance, without seeing the
cat or policeman, or whatever it happens to be. And after patiently
studying some scores or hundreds of these puzzles one gets to know just
how to find the thing concealed, and finds it quickly--almost at a
glance at last. Now, the ingenious person that first invented this
pretty puzzle probably had no thought of Nature, with her curious
imitative and protective resemblances, in his mind; yet he might very
well have taken the hint from Nature, for this is what she does. The
animal that must be seen to be avoided, and the animal that must be seen
to be taken, are there in her picture, sketched in with such cunning art
that to the uninstructed eye they form only portions of branch and
foliage and shadow and sunlight above, and dull-hued or variegated earth
and stones and dead and withering herbage underneath.
Public-domain text, read in full here on John Shaqi.
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