English fiction -- 20th century; Short stories, English
“Old Pantaloon safely out of sight, up pops the painter’s useful
friend, masked and cloaked like every one else in the streets and
on the canals of this carnival Venice. There follow embracements
and handshakings and laughter all round; everything has been so
marvellously successful, not a suspicion roused. From under Lady
Hurtmore’s cloak comes the jewel-case. She opens it, and there are loud
Italian exclamations of astonishment and admiration. The brilliants,
the pearls, the great Hurtmore emeralds, the ruby clasps, the diamond
ear-rings--all these bright, glittering things are lovingly examined,
knowingly handled. Fifty thousand sequins at the least is the estimate
of the useful friend. The two lovers throw themselves ecstatically into
one another’s arms.
“The useful friend interrupts them; there are still a few last things
to be done. They must go and sign for their passports at the Ministry
of Police. Oh, a mere formality; but still it has to be done. He will
go out at the same time and sell one of the lady’s diamonds to provide
the necessary funds for the journey.”
Mr. Bigger paused to light a cigarette. He blew a cloud of smoke, and
went on.
“So they set out, all in their masks and capes, the useful friend in
one direction, the painter and his mistress in another. Ah, love in
Venice!” Mr. Bigger turned up his eyes in ecstasy. “Have you ever been
in Venice and in love, sir?” he inquired of the Lord of the Manor.
“Never farther than Dieppe,” said the Lord of the Manor, shaking his
head.
“Ah, then you’ve missed one of life’s great experiences. You can never
fully and completely understand what must have been the sensations
of little Lady Hurtmore and the artist as they glided down the long
canals, gazing at one another through the eyeholes of their masks.
Sometimes, perhaps, they kissed--though it would have been difficult
to do that without unmasking, and there was always the danger that
some one might have recognised their naked faces through the windows
of their little cabin. No, on the whole,” Mr. Bigger concluded
reflectively, “I expect they confined themselves to looking at one
another. But in Venice, drowsing along the canals, one can almost be
satisfied with looking--just looking.”
He caressed the air with his hand and let his voice droop away into
silence. He took two or three puffs at his cigarette without saying
anything. When he went on, his voice was very quiet and even.
Public-domain text, read in full here on John Shaqi.
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