English fiction -- 20th century; Short stories, English
These were the wintry days; but there were days of spring and autumn,
days unchangingly cloudless, or--more lovely still--made various by
the huge floating shapes of vapour that, snowy above the far-away
snow-capped mountains, gradually unfolded, against the pale bright
blue, enormous heroic gestures. And in the height of the sky the
bellying draperies, the swans, the aerial marbles, hewed and left
unfinished by gods grown tired of creation almost before they had
begun, drifted sleeping along the wind, changing form as they moved.
And the sun would come and go behind them; and now the town in the
valley would fade and almost vanish in the shadow, and now, like an
immense fretted jewel between the hills, it would glow as though by its
own light. And looking across the nearer tributary valley that wound
from below our crest down towards the Arno, looking over the low dark
shoulder of hill on whose extreme promontory stood the towered church
of San Miniato, one saw the huge dome airily hanging on its ribs of
masonry, the square campanile, the sharp spire of Santa Croce, and
the canopied tower of the Signoria, rising above the intricate maze
of houses, distinct and brilliant, like small treasures carved out of
precious stones. For a moment only, and then their light would fade
away once more, and the travelling beam would pick out, among the
indigo hills beyond, a single golden crest.
There were days when the air was wet with passed or with approaching
rain, and all the distances seemed miraculously near and clear. The
olive trees detached themselves one from another on the distant slopes;
the far-away villages were lovely and pathetic like the most exquisite
small toys. There were days in summer-time, days of impending thunder
when, bright and sunlit against huge bellying masses of black and
purple, the hills and the white houses shone as it were precariously,
in a dying splendour, on the brink of some fearful calamity.
How the hills changed and varied! Every day and every hour of the
day, almost, they were different. There would be moments when,
looking across the plain of Florence, one would see only a dark blue
silhouette against the sky. The scene had no depth; there was only
a hanging curtain painted flatly with the symbols of mountains. And
then, suddenly almost, with the passing of a cloud, or when the sun
had declined to a certain level in the sky, the flat scene transformed
itself; and where there had been only a painted curtain, now there were
ranges behind ranges of hills, graduated tone after tone from brown, or
grey, or a green gold to far-away blue. Shapes that a moment before had
been fused together indiscriminately into a single mass, now came apart
into their constituents. Fiesole, which had seemed only a spur of Monte
Morello, now revealed itself as the jutting headland of another system
of hills, divided from the nearest bastions of its greater neighbour by
a deep and shadowy valley.
Public-domain text, read in full here on John Shaqi.
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