The face which had been still in its sorrow, was suddenly convulsed; he opened his eyes, and through the tears they were bright with a violent anger. “I shall kill her,” he said, “I shall kill her. When I think of him throwing himself out, falling through the air....” With his two hands he made a violent gesture, bringing them down from over his head and arresting them with a sudden jerk when they were on a level with his breast. “And then crash.” He shuddered. “She’s as much responsible as though she had pushed him down herself. I shall kill her.” He clenched his teeth. To be angry is easier than to be sad, less painful. It is comforting to think of revenge. “Don’t talk like that,” I said. “It’s no good. It’s stupid. And what would be the point?” He had had those fits before, when grief became too painful and he had tried to escape from it. Anger had been the easiest way of escape. I had had, before this, to persuade him back into the harder path of grief. “It’s stupid to talk like that,” I repeated, and I led him away through the ghastly labyrinth of tombs, where death seemed more terrible even than it is. By the time we had left the cemetery, and were walking down from San Miniato towards the Piazzale Michelangelo below, he had become calmer. His anger had subsided again into the sorrow from which it had derived all its strength and its bitterness. In the Piazzale we halted for a moment to look down at the city in the valley below us. It was a day of floating clouds--great shapes, white, golden, and grey; and between them patches of a thin, transparent blue. Its lantern level, almost, with our eyes, the dome of the cathedral revealed itself in all its grandiose lightness, its vastness and aerial strength. On the innumerable brown and rosy roofs of the city the afternoon sunlight lay softly, sumptuously, and the towers were as though varnished and enamelled with an old gold. I thought of all the Men who had lived here and left the visible traces of their spirit and conceived extraordinary things. I thought of the dead child. PRINTED BY MORRISON AND GIBB LTD EDINBURGH TRANSCRIBER’S NOTES: Italicized text is surrounded by underscores: _italics_. Obvious typographical errors have been corrected. Inconsistencies in hyphenation have been standardized.