English fiction -- 20th century; Short stories, English
Swift, surely, was one of these--the greatest of them. His type our
islands still produce; and more copiously, perhaps, during the last
two or three generations than ever before. For the nineteenth century
specialised in that romantic, optimistic idealism which postulates that
man is on the whole good and inevitably becoming better. The idealism
of the men of the Middle Ages was more sensible; for it insisted,
to begin with, that man was mostly and essentially bad, a sinner by
instinct and heredity. Their ideals, their religion, were divine and
unnatural antidotes to original sin. They saw the worst first and
could be astonished by no horror--only by the occasional miracle of
sweetness and light. But their descendants of the romantic, optimistic,
humanitarian century, in which my Uncle Spencer was born and brought
up, vented their idealism otherwise. They began by seeing the best;
they insisted that men were naturally good, spiritual, and lovely. A
sensitive youth brought up in this genial creed has only to come upon a
characteristic specimen of original sin to be astonished, shocked, and
disillusioned into despair. Circumstances and temperament had permitted
my Uncle Spencer to retain his romantic optimism very much longer than
most men.
The tardy recognition of the existence of original sin disturbed my
Uncle Spencer’s mind. But the effects of it were not immediate. At
the moment, while he was in Emmy’s pretty and intoxicating presence,
and while she was still kind, he could not believe that she too had
her share of original sin. And even when he forced himself to do so,
her childish ingenuous face was in itself a complete excuse. It was
later--and especially when he was separated from her--that the poison
began slowly to work, embittering his whole spirit. At present Emmy’s
confession only served to increase his passion for her. For, to begin
with, it made her seem more than ever in need of protection. And next,
by painfully satisfying a little of his curiosity about her life, it
quickened his desire to know all, to introduce himself completely into
her history. And at the same time it provoked a retrospective jealousy,
together with an intense present suspiciousness and an agonised
anticipation of future dangers. His passion became like a painful
disease. He pursued her with an incessant and abject devotion.
Public-domain text, read in full here on John Shaqi.
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