England -- Social life and customs -- 19th century -- Fiction
MY enemies say that I am a weak man, unduly influenced by persons of
rank--because of their rank. If this we re true, I should have found
little difficulty in consenting to adopt the Baroness's suggestion.
As it was, the longer I reflected on the scheme the less I liked it. I
tried to think of some alternative that might be acceptably proposed.
The time passed, and nothing occurred to me. In this embarrassing
position my mind became seriously disturbed; I felt the necessity of
obtaining some relief, which might turn my thoughts for a while into a
new channel. The secretary called on me, while I was still in doubt what
to do. He reminded me that a new prima donna was advertised to appear on
that night; and he suggested that we should go to the opera. Feeling as
I did at the time, I readily agreed.
We found the theater already filled, before the performance began. Two
French gentlemen were seated in the row of stalls behind us. They were
talking of the new singer.
"She is advertised as 'Mademoiselle Fontenay,'" one of them said. "That
sounds like an assumed name."
"It _is_ an assumed name," the other replied. "She is the daughter of a
French singing-master, named Bonnefoy."
To my friend's astonishment I started to my feet, and left him without a
word of apology. In another minute I was at the stage-door, and had sent
in my card to "Mademoiselle Fontenay." While I was waiting, I had time
to think. Was it possible that Jeanne had gone on the stage? Or were
there two singing-masters in existence named Bonnefoy? My doubts were
soon decided. The French woman-servant whom I remembered when I was
Monsieur Bonnefoy's pupil, made her appearance, and conducted me to her
young mistress's dressing-room. Dear good Jeanne, how glad she was to
see me!
I found her standing before the glass, having just completed her
preparations for appearing on the stage. Dressed in her picturesque
costume, she was so charming that I expressed my admiration heartily,
as became her old friend. "Do you really like me?" she said, with the
innocent familiarity which I recollected so well. "See how I look in
the glass--that is the great test." It was not easy to apply the test.
Instead of looking at her image in the glass, it was far more agreeable
to look at herself. We were interrupted--too soon interrupted--by the
call-boy. He knocked at the door, and announced that the overture had
begun.
"I have a thousand things to ask you," I told her. "What has made this
wonderful change in your life? How is it that I don't see your father--"
Her face instantly saddened; her hand trembled as she laid it on my arm
to silence me.
Public-domain text, read in full here on John Shaqi.
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