Little Visits with Great Americans, Vol. 1 (of 2): Or Success, Ideals and How to Attain Them
History
Little Visits with Great Americans, Vol. 1 (of 2): Or Success, Ideals and How to Attain Them
Success; United States -- Biography; United States -- History -- 19th century -- Biography
“And you chose the printing office?”
“Not wholly. As I recall it, I went to and fro between the schoolhouse
and the printing office. When I tired of one, I was promptly given my
choice of the other.”
“Then you began life in poverty?”
“I suppose that, as the world goes now, we were poor. My father’s
income was never above twelve hundred a year, and his family was large;
but nobody was rich then. We lived in the simple fashion of that time
and place.”
“You found time to read?”
“My reading, somehow, went on pretty constantly. No doubt my love for
it won me a chance to devote time to it.”
“Might I ask how much time you devoted each day to your literary
object?”
“The length varied with varying times. Sometimes I read but little.
There were years of the work, of the over-work, indeed,—which falls
to the lot of many, that I should be ashamed to speak of except in
accounting for the fact. My father had sold his paper in Hamilton, and
had bought an interest in another at Dayton, and at that time we were
all straining our utmost to help pay for it.”
“And that left you little time?”
“In that period very few hours were given to literature. My daily tasks
began so early, and ended so late, that I had little time, even if I
had the spirit for reading. Sometimes I had to sit up until midnight,
waiting for telegraphic news, and be up again at dawn to deliver the
papers, working afterward at the case; but that was only for a few
years.”
“When did you find time to seriously apply yourself to literature?”
ACQUIRING A LITERARY STYLE.
“I think I did so before I really had the time. Literary aspirations
were stirred in me by the great authors whom I successively discovered,
and I was perpetually imitating the writings of these,—modeling some
composition of my own after theirs, but never willing to own it.”
“Do you attribute your style to the composite influence of these
various models?”
“No doubt they had their effect, as a whole, but individually I was
freed from the last by each succeeding author, until at length I came
to understand that I must be like myself, and no other.”
“Had you any conveniences for literary research, beyond the bookcase in
your home?”
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