Just then, a colored man appeared in her library, bearing a tray,—for afternoon tea,—so I arose, although she asked me to have a cup of tea, fearing that I might be intruding, and expressed my wish that she would soon be at her desk again. “I suppose I shall,” she said, “for it is irksome being idle.” Such is Mrs. Harrison’s disposition. Indeed, it is hard to imagine her idle. Orders are pouring in upon her, which through her present weak health, she is forced to decline. But what is my impression about her? She is a gentle, forceful woman, whose energy and painstaking have placed her in the front rank of American writers. Without the latter attributes, her talent would have fallen to the ground. XXIX Painstaking, the Secret of a Celebrated Painter’s Success. UNDOUBTEDLY the best-known American artist is Edwin Austin Abbey. He has done more than any other man to spread the fame of American art in Europe. He has proceeded, step by step, from his early youth, when he earned fifteen dollars a week as a “hack-artist,” until he ranks as the greatest living decorative painter. The history of his life is an inspiration to students, as it furnishes striking evidence of what hard work and self-confidence can accomplish in the field of art. Mr. Abbey advanced gradually from water-colors and pen-sketching to oil-painting, pastel and fine decorative work. Although he is a very prolific artist, he has maintained a surprising degree of excellence. His work breathes forth his personality, and shows the character of the man; there is confidence in every line. His taste is as fine, as his art and execution are perfect, and he has an extraordinary degree of comprehension and receptivity, due to his American blood. Mr. Abbey has scholarly ability and intense application, but they would have availed him little if they had not seconded a talent of the most unusual order, and an individuality which is so personal that it may be said of him that he resembles no other living painter. It is only natural that he should have gained success in his chosen line of work, for his heart has been in it from his boyhood days. His earnest efforts have always been appreciated both in Europe and America. Only two seasons after he went to live in England, he was elected a member of the Royal Institute of Painters in Water Colors. In 1889, he received a first-class medal at the Paris Exposition, and, in 1896, he was honored by an associate membership in the Royal Academy. Two years later he was received into full membership, though John R. Sargent, his fellow-countryman, had to wait three years. Mr. Abbey was honored by King Edward VII with a commission to paint the coronation scene in Westminster Abbey, and by the Pennsylvania legislature with a commission to decorate the new state capitol at Harrisburg. A MOST INTERESTING STUDIO.