Little Visits with Great Americans, Vol. 2 (of 2): Or Success, Ideals and How to Attain Them
History
Little Visits with Great Americans, Vol. 2 (of 2): Or Success, Ideals and How to Attain Them
Success; United States -- Biography; United States -- History -- 19th century -- Biography
Viola Allen was born in the south, but went to Boston when three years
of age. She was educated in that city and at the Bishop Strachan
school, Toronto, Canada. Her début was made at the Madison Square
theater, New York, in Esmeralda, in 1882. During the season of 1883
and 1884 she was leading lady for John McCullough, and afterward
played classical and Shakespearian rôles. She was a member of the
Empire theater stock company in 1892, but her principal success was in
creating the character of Gloria Quayle, in The Christian, which had a
long run in New York in 1898, succeeded by a tour through the principal
cities of the country. Miss Allen’s private charities are many, and she
is identified with those phases of church work which have to do with
the bettering of the conditions of the poor.
ETHEL BARRYMORE.
Ethel Barrymore, one of the youngest stars in the theatrical
profession, was born in Philadelphia in 1880. She comes of a
professional family, and when, while yet a child, gave to those who
were responsible for her first appearance behind the footlights
assurance of innate talent. Miss Barrymore was by no means unknown
to Metropolitan play-goers prior to the time when, under Mr. Charles
Frohman’s management, she made her stellar début a few years since. The
young actress is a finished comedienne and is a member of that modern
school of comedy that cultivates repressed effort.
MRS. LESLIE CARTER.
David Belasco, playwright and manager, has been uniformly successful
with his plays and his stars. A case in point is that of Mrs. Leslie
Carter, who has been connected in a professional capacity with Mr.
Belasco for some years. Stepping from social circles in Chicago to the
stage, she was in the first instance a somewhat indifferent specimen of
the crude amateur actress, but Mr. Belasco detected in her undeveloped
talent, and the rest is professional history. Under his guidance as
tutor and manager she holds a prominent place in the theatrical world.
Her first success was made in the Heart of Maryland and her last and
most notable in Du Barry.
ELEANORA DUSE.
Eleanora Duse, the Italian tragedienne, who is Signora Cecci in private
life, was born, in 1861, in Vigovano, Italy. At an early age she gave
indications of those histrionic talents which subsequently made her
famous. For many years she was one of the most notable figures on the
stage of her country. She made her American début in 1893 at the Fifth
Avenue theater, New York. While there is no gainsaying the sincerity
and finish of her art, yet at the same time there are not a few critics
who take exception to it on the score of the sombre plays and methods
of the actress. Since her début she has visited the United States on
more than one occasion, and in each instance her following in this
country have accorded her the welcome which is due to her as an artiste
and a woman.
MAY IRWIN.
Public-domain text, read in full here on John Shaqi.
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