“A prodigy so extraordinary struck me with surprise and astonishment. I became almost stupid, and, as another Crœsus, fancied I possessed all the riches in the universe. My gratitude to my benefactor was more than I could express. He told me that he was on his travels and wanted nothing whatever; ‘but it gratifies me,’ said he, ‘to counsel those who are unable to complete the Hermetic work.’ I pressed him to remain with me, but he retired to his inn. Next day I called there, but what was my surprise at not finding him in it, or at any place in the town! I had many questions to ask him which left me in doubt. I returned to work according to the receipt, but failed in the result. I repeated the process with more care; it was all in vain! Yet I persevered until I had expended all the transmuted gold and the greater part of my own property.” “We see,” remarks Kircher, very gravely, “by this true history, how the devil seeks to deceive men who are led by a lust of riches. This alchemist was convinced he had an infernal visitor, and he destroyed his books, furnace, and apparatus, by the timely advice of his confessor.” ALBERT BELIN. Of this Benedictine, who was born at Besançon in 1610, the amateurs of alchemy and the occult sciences have much prized the following opuscula:--“A Treatise on Talismans or Astral figures, demonstrating the exclusively natural origin of their no less admirable virtues, with the manner of their composition and their practical utility;” “Justification of the Sympathetic Powder,” published together at Paris, 1671, 12mo; and, in particular, “The Adventures of an Unknown Philosopher in the search after and on the discovery of the Philosophical Stone.” This is divided into four books, and the manner of accomplishing the _magnum opus_ is indicated with perspicacity in the fourth. It was published in duodecimo at Paris in 1664, and has since been reprinted. In the dedicatory epistle the authorship is disclaimed by Belin, who remarks that, in accordance with his profession, he should be occupied with the great work of divine grace rather than with the natural _magnum opus_. The adventures are the production of a young man with whom he was once well acquainted, and who was then lately deceased. In the fourth book, the narrator of the story relates how, with a copy of Raymond Lully in his hand, he went by himself into a wood, and there he was interrupted in his studies by a wonderful lady, in a wonderful silverine dress, embroidered with flowers of gold. She proves to be Wisdom, and is greeted by the student as his adorable mistress. In her infinite grace and condescension, the divine incarnation of philosophy instructs her ravished listener, during three several discourses, in the nature, effects, and excellences of the rich and fruitful stone, of the matter whereof it is composed, and of its development into absolute perfection.