This is the reason why the Empresses and great dames of Rome did make much usage of these perfumes, as do likewise our great ladies of France,—and above all those of Spain and Italy, which from the oldest times have been more curious and more exquisite in luxury than Frenchwomen, as well in perfumes as in costumes and magnificent attire, whereof the fair ones of France have since borrowed the patterns and copied the dainty workmanship. Moreover the others, Italian and Spanish, had learned the same from old models and ancient statues of Roman ladies, the which are to be seen among sundry other antiquities yet extant in Spain and Italy; the which, if any man will regard them carefully, will be found very perfect in mode of hair-dressing and fashion of robes, and very meet to incite love. On the contrary, at this present day our ladies of France do surpass all others. ’Tis to the Queen of Navarre[122] they do owe thanks for this great improvement. Wherefore is it good and desirable to have to do with suchlike fair ladies so well appointed, so richly tricked out and in such stately wise. So have I heard many courtiers, my comrades, declare, as we did discourse together on these matters, _De sorte que j’ai ouï dire à aucuns courtisans, mes compagnons, ainsi que nous devisions ensemble, qu’ils les aimaient mieux ainsi que désacoutrées et couchées neus entre deux linceuls, et dans un lit le plus enrichi de broderie que l’on sut faire._ _D’autres disaient qu’il n’y avait que le naturel, sans aucun fard ni artifice, comme un grand prince que je sais, lequel pourtant faisait coucher ses courtisanes ou dames dans des draps de taffetas noir bien tendus, toutes nues, afin que leur blancheur et délicatesse de chair parut bien mieux parmi ce noir et donnât plus d’ébat.[122]_ There can be no real doubt the fairest sight of any in the whole world would be that of a beautiful woman, all complete and perfect in her loveliness; but such an one is ill to find. Thus do we find it recorded of Zeuxis, the famous painter, how that being asked by sundry honourable ladies and damsels of his acquaintance to make them a portrait of the fair Helen of Troy and depict her to them as beautiful as folk say she was, he was loath to refuse their prayer. But, before painting the portrait, he did gaze at them all and each steadfastly, and choosing from one or the other whatever he did find in each severally most beautiful, he did make out the portrait of these fragments brought together and combined, and by this means did portray Helen so beautiful no exception could be taken to any feature. This portrait did stir the admiration of all, but above all of them which had by their several beauties and separate features helped to create the same no less than Zeuxis himself had with his brush. Now this was as good as saying that in one Helen ’twas impossible to find all perfections of beauty combined, albeit she may have been most exceeding fair above all women.