Lives of Fair and Gallant Ladies. Vol 2.Brantôme, Pierre de Bourdeille
History
Lives of Fair and Gallant Ladies. Vol 2.
Brantôme, Pierre de Bourdeille
Erotic literature
Still more to blame was a great Lord I wot of, who disgusted at some
trick his mistress had played on him, did stake her portrait at dice
and lose it to one of his soldiers, for he was in command of a large
company of infantry. Hearing thereof, the lady came nigh bursting with
vexation, and was exceeding angered. The Queen Mother did presently
hear of it, and did reprimand him for what he had done, on the ground
that the scorn put on her was far too extreme, so to go and abandon to
the chance of the dice the portrait of a fair and honourable lady.
But the Lord did soon set the matter in a better light, declaring how
that in his hazard, he had kept back the parchment inside, and had
staked only the box encasing the same, which was of gold and enriched
with precious stones. Myself have many a time heard the tale discussed
between the lady and the said Lord in right merry wise, and have whiles
laughed my fill thereat.
Hereanent will I say one thing: to wit, that there be ladies,—and
myself have known sundry such,—which in their loves do prefer to be
defied, threatened, and eke bullied; and a man will in this fashion
have his way with them better far than by gentle dealings and
complacencies. Just as with fortresses, some be taken by sheer force of
arms, others by gentler means. Yet will no women endure to be reviled
and cried out upon as whores; for such words be more offensive to them
than the things they do represent.
Sulla would never forgive the city of Athens, nor refrain from the
utter overthrow of the same root and branch, not by reason of the
obstinacy of its defence against him, but solely because from the top
of the walls thereof the citizens had foully abused his wife Metella
and touched her honour to the quick.[77*]
In certain quarters, the which I will not name, the soldiery in
skirmishes and sieges of fortified places were used, the one side
against the other, to cast reproach upon the virtue of two of their
sovereign Princesses, going so far as to cry forth one to the other:
“Your Princess doth play ninepins fine and well!”—“And yours is
downright good at a main too!” By dint of these aspersions and bywords
were the said Princesses cause of rousing them to do havoc and commit
cruelties more than any other reason whatever, as I have myself seen.
I have heard it related how that the chiefest motive which did most
animate the Queen of Hungary[78*] to light up those her fierce fires of
rage about Picardy and other regions of France was to revenge sundry
insolent and foul-mouthed gossips, which were forever telling of her
amours, and singing aloud through all the countryside the refrain:
Au, au Barbanson,
Et la reine d’Ongrie,
—a coarse song at best, and in its loud-voiced ribaldry smacking strong
of vagabond and rustic wit.
4.
Public-domain text, read in full here on John Shaqi.
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