Lives of Fair and Gallant Ladies. Vol 2.Brantôme, Pierre de Bourdeille
History
Lives of Fair and Gallant Ladies. Vol 2.
Brantôme, Pierre de Bourdeille
Erotic literature
Such and an infinity of the like words do our heart-broken widows
indulge in after the death of their husbands. Some will make their
moan in one way, others in another, but always something to the effect
of what I have set down. Some do cry out on heaven, others curse this
earth of ours; some do blaspheme God, others vent their spleen on the
world. Some again do feign to swoon, while others counterfeit death;
some faint away, and others pretend to be mad and desperate and out of
their wits, knowing no one and refusing to speak. In a word, I should
never have done, if I were to try to specify all the false, feigned,
affected tricks they do use for to prove their grief and mourning to
the world. Of course I speak not of all, but of some, and a fine few
these be and a good round number.
Good folk of either sex that would console suchlike doleful widows,
thinking no ill and supposing their grief genuine, do but lose their
pains and none is a whit the better. Others again of these comforters,
when they see the poor suffering object of their solicitude failing to
keep up the farce and make the proper grimaces, do instruct them in
their part, like a certain great lady I wot of, which would tell her
daughter, “Now faint, my pet; you don’t show near enough concern.”
Then presently, after all these wondrous rites performed, just like
a torrent that after dashing headlong down its course, doth anon
subside again and quietly return to its bed, or like a river that hath
overflowed its banks, so you will see these widows recover them and
return to their former complexion, gradually get back their spirits,
begin to be merry once again and dream of worldly vanities. Instead of
the death’s-heads they were used to wear, whether painted, engraven
or in relief, instead of dead men’s bones set crosswise or enclosed
in coffins, instead of tears, whether of jet or of enamelled gold, or
simply painted, you will see them now adopt portraits of their husbands
worn round the neck, though still adorned with death’s-heads and tears
painted in scrolls and the like, in fact sundry little gewgaws, yet
all so prettily set off that spectators suppose they do use and wear
the same rather by way of mourning for their deceased husbands than
for worldly show. Then presently, just as we see young birds, whenas
they quit the parental nest, do not at the very first make very long
flights, but fluttering from branch to branch do little by little
learn the use of their wings, so these widows, quitting their mourning
habits and desperate grief, do not appear in public at once, but taking
greater and greater freedom by degrees, do at last throw off their
mourning altogether, and toss their widows’ weeds and flowing veil to
the dogs, as the saying is, and letting love more than ever fill their
heads, do dream of naught else but only a second marriage or other
return to wanton living. So we find their great and violent sorrow
hath no long duration.
Public-domain text, read in full here on John Shaqi.
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