Sir Isaac Newton was a student of Boehmen, whose dissertation on "The Three Principles" is said to have furnished hints to the philosopher which put him on the track of some of his great discoveries; and Blake, the half-mad, half-inspired poet, painter, and engraver, frequently spoke of him as a divinely inspired man. Before Blake's day the writings of Boehmen had been translated by William Law, author of "The Serious Call," and published by Ward & Co. in two quarto volumes (1762-84). Law's writings had immense influence over the minds of John and Charles Wesley, and their followers, the Methodists. Law, who was no mean judge of the worth of Boehmen's writings, held them in high esteem. But of more value than these opinions is the estimate formed by philosophers themselves as to the works of this great mystic. Spinoza frequently studied them, and acknowledged their influence on his own mind. Schelling, the idealist philosopher, bears testimony to Boehmen's great merits as a thinker. Hegel speaks of him as the "Teutonic philosopher," and adds, "In reality, through him, for the first time, did philosophy in Germany come forward with a characteristic stamp." S. T. Coleridge in his "Literary Remains"[93] says: "I have often thought of writing a book to be entitled 'A Vindication of Great Men Unjustly Branded,' and at such times the names prominent to my mind's eye have been Giordano Bruno, Jacob Boehmen, Benedict Spinoza, and Emanuel Swedenborg." In the library of Manchester New College, London, is a copy of the works of Spinoza with marginal notes written by Coleridge,[94] and among them is the following note to Epistle xxxvi.: "The truth is, Spinoza, in common with all metaphysicians before him (Boehme perhaps excepted), began at the wrong end," etc., etc. Coleridge frequently spoke of Boehmen in the warmest terms of admiration. [93] Vol. iv. p. 423. [94] This book once belonged to Henry Crabb Robinson: see H. C. R.'s Diary, etc., vol. i. pp. 400, 401, for the above quotation. At a very early age Jacob Boehmen showed a disposition to pious meditation and fancied himself inspired. He was poorly educated as a youth, and nearly all his knowledge was self-acquired. His first work was published when he was thirty-seven years of age, and was entitled "Aurora," or _the morning dawn_. He was severely attacked by the religious leaders of his day, but the court at Dresden patronized and protected him. His death took place November 27th, 1624. His works have been frequently published in Germany, Holland, and England, where they are much more warmly appreciated now than they were in his own lifetime. ITALY. GABRIEL CAPPELLINI, IL CALIGARINO, OR THE LITTLE SHOEMAKER.