Lives of Illustrious ShoemakersWinks, W. E. (William Edward)
History
Lives of Illustrious Shoemakers
Winks, W. E. (William Edward)
Shoemakers -- Biography
The literary reputation of the metaphysical shoemaker was now
established. Journals and reviews spoke in terms of high praise.
Literary men, clergymen, and ministers of various denominations, wrote
in congratulatory terms, and proffered friendship and assistance. The
best libraries in the locality were placed at his service, and
invitations or visits came so thick upon him, that the modest shoemaker
was at times fairly bewildered by them. A little book, issued in 1803,
the year after Drew's essay appeared, brought his circumstances before
the public. It was entitled, "Literature and Literary Characters of
Cornwall," and was edited by the above-named Mr. Polwhele. To this book
Drew, by request of the editor, sent a short autobiographical sketch.
"His lowly origin," says his son, "and humble situation being thus made
public, the singular contrast which it presented to his growing literary
fame attracted much attention. St. Austell became noted as the
birthplace and residence of Mr. Drew, and strangers coming into the
county for the gratification of their curiosity did not consider that
object accomplished until they had seen 'the metaphysical shoemaker.'"
Referring to those flattering attentions, he once shrewdly observed:
"These gentlemen certainly honor me by their visits; but I do not forget
that many of them merely wish to say that they have seen the cobbler who
wrote a book."
The following picture of the literary shoemaker during this period of
his life must not be omitted here, for it gives us a glimpse of his
method of working at this time when employed on his double task of
making _boots_ and _books_. It recalls the sketch given in the life of
Bloomfield, much of whose poetry was composed under similar conditions.
Indeed, it were hard to say who had the worst of it, the poet in the
crowded garret or the theologian in the noisy kitchen. The first
paragraph is written by Samuel Drew himself, and the second by his son.
Public-domain text, read in full here on John Shaqi.
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