Niccolò Valori describes Lorenzo as “above the common stature, with broad shoulders, solidly built, robust, and second to none in agility. Although nature had acted towards him like a stepmother with regard to his personal appearance, in all things connected with the mind she had been a loving mother. His complexion was swarthy, and although his face was not handsome, it was so full of dignity as to command respect. He was short-sighted, his nose was flattened, and he had no sense of smell. This did not trouble him. He was wont to say that he was grateful to nature, disagreeable things being more common than agreeable ones to so delicate a sense.” Lorenzo was much inferior to his grandfather Cosimo in commercial talent, but he was a genius, and as Symonds writes, “possessed of one of those rare natures, fitted to comprehend all knowledge and to sympathise with the most diverse forms of life. While he never for a moment relaxed his hold on politics, among philosophers he passed as a sage, among men of letters for an original and graceful poet, among scholars for a Grecian, sensitive to every nicety of Attic idiom, among artists for an amateur gifted with refined discernment and consummate taste. Pleasure-seekers knew in him the libertine, who jousted with the boldest, danced and masqueraded with the merriest, sought adventures in the streets at night, and joined the people in their May-day games and Carnival festivities. The pious extolled him as an author of devotional lauds and mystery plays, a profound theologian, a critic of sermons. He was no less famous for his jokes and repartees than for his pithy apothegms and maxims, as good a judge of cattle as of statues, as much at home in the bosom of his family as in the riot of an orgy, as ready to discourse on Plato as to plan a campaign or to plot the death of a dangerous citizen.”[150]