Lives of the English Poets: From Johnson to Kirke White, Designed as a Continuation of Johnson's LivesCary, Henry Francis
General
Lives of the English Poets: From Johnson to Kirke White, Designed as a Continuation of Johnson's Lives
Cary, Henry Francis
Poets, English -- Biography
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WILLIAM MASON.
It is to be regretted that no one of Mason's friends has thought fit to
pay the same tribute of respect to his memory, which he had himself paid
to that of his two poetical friends, Gray and Whitehead. In this dearth
of authentic biography, we must be contented with such information
concerning him, as either his own writings, or the incidental mention
made of him by others, will furnish.
William Mason was born on the 23rd of February, 1725, at Hull, where his
father, who was vicar of St. Trinity, resided. Whether he had any other
preceptor in boyhood, except his parent, is not known.
That this parent was a man of no common attainments, appears from a poem
which his son addressed to him when he had attained his twenty-first
year, and in which he acknowledged with gratitude the instructions he
had received from him in the arts of painting, poetry, and music. In
1742, he was admitted of St. John's College, Cambridge; and there, in
1744, the year in which Pope died, he wrote Musaeus, a monody on that
poet; and Il Bellicoso and Il Pacifico, a very juvenile imitation, as he
properly calls it, of the Allegro and Penseroso. In 1745, he took his
degree of Bachelor of Arts; and in the ensuing year, with a heavy heart,
and with some fear lest he should grow old 'in northern clime,' bade
farewell to Granta in an Ode, which commemorates the virtues of his
tutor, Dr. Powell. He soon, however, returned; by his father's
permission visited London; and removing from St. John's College to
Pembroke Hall, was unexpectedly nominated Fellow of that society in
1747, when by the advice of Dr. Powell, he published Musaeus. His fourth
Ode expresses his delight at the prospect of being restored to the banks
of the Cam. In a letter to a friend written this year, he boasts that
his poem had already passed through three impressions. At the same time,
he wrote his Ode to a Water Nymph, not without some fancy and elegance,
in which his passion for the new style of gardening first shewed itself;
as his political bias did the year after in Isis, a poem levelled
against the supposed Toryism of Oxford, and chiefly valuable for having
called forth the Triumph of Isis, by Thomas Warton. To this he prefixed
an advertisement, declaring that it would never have appeared in print,
had not an interpolated copy, published in a country newspaper,
scandalously misrepresented the principles of the author. Now commenced
his intimacy with Gray, who was rather more than eight years his senior,
a disparity which, at that period of life, is apt to prevent men at
college from uniting very closely. His friend described him to Dr.
Wharton as having much fancy, little judgment, and a good deal of
modesty. "I take him," continued Gray, "for a good and well-meaning
creature; but then he is really in simplicity a child, and loves every
body he meets with: he reads little or nothing, writes abundance, and
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