were compared, as to its subject, with that of the Theban bard, on the illness of Hiero, which opens with a wish that Chiron were yet living, in order that the poet might consult him on the case of the Syracusan monarch; and in its form, with that in which he asks of his native city, in whom of all her heroes she most delighted. Among the odes, some of which might more properly be termed idylliums, The Hamlet is of uncommon beauty; the landscape is truly English, and has the truth and tenderness of Gainsborough's pencil. Those To a Friend on his leaving a Village in Hampshire, and the First of April, are entitled to similar praise. The Crusade, The Grave of King Arthur, and most of the odes composed for the court, are in a higher strain. In the Ode written at Vale Royal Abbey, is a striking image, borrowed from some lent verses, written by Archbishop Markham, and printed in the second volume of that collection. High o'er the trackless heath, at midnight seen, No more the windows ranged in long array (Where the tall shaft and fretted arch between Thick ivy twines) the taper'd rites betray. _Prodidit areanas arcta fenestra faces_. His sonnets have been highly and deservedly commended by no less competent a judge than Mr. Coleridge. They are alone sufficient to prove (if any proof were wanting) that this form of composition is not unsuited to our language. One of our longest, as it is one of our most beautiful poems, the Faerie Queene, is written in a stanza which demands the continual recurrence of an equal number of rhymes; and the chief objection to our adopting the sonnet is the paucity of our rhymes. The lines to Sir Joshua Reynolds are marked by the happy turn of the compliment, and by the strength and harmony of the versification, at least as far as the formal couplet measure will admit of those qualities. They need not fear a comparison with the verses addressed by Dryden to Kneller, or by Pope to Jervas. His Latin compositions are nearly as excellent as his English. The few hendecasyllables he has left, have more of the vigour of Catullus than those by Flaminio; but Flaminio excels him in delicacy. The Mons Catharinae contains nearly the same images as Gray's Ode on a Prospect of Eton College. In the word "cedrinae," which occurs in the verses on Trinity College Chapel, he has, we believe, erroneously made the penultimate long. Dr. Mant has observed another mistake in his use of the word "Tempe" as a feminine noun, in the lines translated from Akenside. When in his sports with his brother's scholars at Winchester he made their exercises for them, he used to ask the boy how many faults he would have:--one such would have been sufficient for a lad near the head of the school. His style in prose, though marked by a character of magnificence, is at times stiff and encumbered. He is too fond of alliteration in prose as well as in verse; and the cadence of his sentences is too evidently laboured.