Lives of the Founders of the British Museum, Part 1 of 2: With Notices of Its Chief Augmentors and Other Benefactors, 1570-1870.Edwards, Edward
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Lives of the Founders of the British Museum, Part 1 of 2: With Notices of Its Chief Augmentors and Other Benefactors, 1570-1870.
Edwards, Edward
Book collectors -- Great Britain; British Museum
Still more strange was the fate which befell certain other marbles which
Lord Henry (by that time Duke of NORFOLK) caused to be removed from
Arundel House to a piece of waste ground belonging to the manor of
Kennington. These the owner seems to have regarded as little better than
lumber. It is therefore the less surprising that his servants took so
little care of them as to suffer them to be buried, in their turn,
beneath rubbish which had been brought to Kennington from St. Paul’s,
during the rebuilding of that cathedral. By-and-bye, precious marbles,
excavated amidst so many difficulties arising from Turkish barbarism in
Asia Minor, had to be re-excavated in England. Many years after their
second burial, some rumour of the circumstance came to the knowledge of
the Earl of BURLINGTON, and by his efforts and care something was
recovered. But the researches then made were, in some way, interrupted.
They were afterwards resumed by Lord PETRE. [Sidenote: Narrative by
Theobald; printed in ANECDOTES OF HOWARD FAMILY, pp. 101–120.] ‘After
six days’ of excavation and search, says an eye-witness, ‘just as the
workmen were going to give over, they fell upon something which gave
them hopes. Upon further opening the ground they discovered six
statues, ... some of a colossal size, the drapery of which was thought
to be exceeding fine.’ These went eventually to Worksop.
Some Arundelian marbles were, it is said, converted into rollers for
bowling-greens. The fragments of others lie in or beneath the
foundations of the houses in Norfolk Street and the streets adjacent.
The Stafford-House portion of the collections—which included pictures,
drawings, vases, medals, and many miscellaneous antiquities of great
curiosity—was sold by auction in 1720. At the prices of that day the
sale produced no less a sum than £8852.
The Arundelian cabinet of cameos and intaglios, now so famous under the
name of ‘The Marlborough Gems,’ was offered to the Trustees of the
British Museum for sale, at an early period in the history of the
institution. The price asked by the then possessor, the Duchess Dowager
of NORFOLK, was £10,000. But at that time the funds of the nascent
institution were inadequate to the purchase.
It affords conspicuous proof of the marvellous success which had
attended Lord ARUNDEL’S researches to find that the remnants, so to
speak, of his collections retain an almost inestimable value, after so
many losses and loppings. They are virtually priceless, even if we leave
out of view all that is now private property.
Public-domain text, read in full here on John Shaqi.
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