Lives of the Founders of the British Museum, Part 1 of 2: With Notices of Its Chief Augmentors and Other Benefactors, 1570-1870.Edwards, Edward
History
Lives of the Founders of the British Museum, Part 1 of 2: With Notices of Its Chief Augmentors and Other Benefactors, 1570-1870.
Edwards, Edward
Book collectors -- Great Britain; British Museum
Sir John COTTON, the eldest son of the first marriage, sat in Parliament
for the borough of Huntingdon in the reign of CHARLES THE SECOND, and
for Huntingdonshire in that of JAMES THE SECOND. But he took no
prominent part in public affairs. Like his father he was twice married.
And his first wife became step-daughter as well as daughter-in-law to
his father, being Dorothy, daughter and heir of Edmund ANDERSON of
Eyworth above mentioned. His second wife was Elizabeth HONYWOOD. He
seems to have resembled his father both in his tastes for a quiet
country life, and in the liberality with which he allowed (on reasonable
cause and to proper persons) access to his library. Nor did Sir John,
any more than Sir Thomas, escape animadversion, when he allowed himself
to form his own judgment of the fitness or the timeliness of any
particular application. [Sidenote: _Autobiog. and Corresp._, vol. ii, p.
40.] [Sidenote: _History of the Reformation_, vol. iii, _Introd._, p. 8.
(Edit. of 1714.)] Caustic Symonds D’EWES writes down Sir Thomas COTTON
as ‘unworthy to be master of so inestimable a library.’ Caustic Bishop
BURNET writes in his turn of Sir John COTTON: ‘A great Prelate had
possessed him with such prejudices against me that ... he desired to be
excused’ [from granting BURNET admittance to the Cottonian Library]
‘unless the Archbishop of Canterbury or a Secretary of State would
recommend me as a person fit to have access.’ Against strictures such as
these, it were easy, but is not needful, to adduce a score of
acknowledgments of deep obligation, from writers more eminent by far
than either D’EWES or BURNET.
The eldest son (also John) of Sir John COTTON, by his wife Dorothy, did
not live to inherit either the famous library or the ancestral estates.
He died in 1681, and his later days seem to have been marked by some
stormy incidents. In one point, his troubles resembled those which
disturbed the last year of his great-grandfather’s life;—in so far as
that they were caused by a lady. But whereas Sir Robert had the lady
thrust upon him, to suit the purposes of other men, the misfortunes of
his great-grandson appear to have grown out of an ardent but illicit
passion—as ardently, and not less illicitly, returned by its object.
Some scraps of their correspondence which have chanced to be preserved
read, after two centuries of dusty repose, as if they were still all
aflame with that fierce love which an experienced poet describes as
‘passion’s essence.’[20]
Public-domain text, read in full here on John Shaqi.
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