Lives of the Founders of the British Museum, Part 2 of 2: With Notices of Its Chief Augmentors and Other Benefactors, 1570-1870.Edwards, Edward
History
Lives of the Founders of the British Museum, Part 2 of 2: With Notices of Its Chief Augmentors and Other Benefactors, 1570-1870.
Edwards, Edward
Book collectors -- Great Britain; British Museum
‘But where there is nothing common, it is almost depreciating a
collection to enumerate a few articles as rare. It is a marked feature
of this Library, that Mr. GRENVILLE did not collect mere bibliographical
rarities. He never aimed at having a complete set of the editions from
the press of CAXTON or ALDUS; but _Chaucer_ and _Gower_ by CAXTON were
readily purchased, as well as other works which were desirable on other
accounts, besides that of having issued from the press of that printer;
and, when possible, select copies were procured. Some of the rarest, and
these the finest, Aldine editions were purchased by him, for the same
reasons. The _Horæ_ in Greek, printed by ALDUS in 16º, in 1497, is a
volume which, from its language, size, and rarity, is of the greatest
importance for the literary and religious history of the time when it
was printed. It is therefore in Mr. GRENVILLE’S Library. The _Virgil_ of
1501 is not only an elegant book, but it is the first book printed with
that peculiar _Italic_, known as Aldine, and the first volume which
ALDUS printed, “_forma enchiridii_,” as he called it, being expressly
adapted to give poor scholars the means of purchasing for a small sum
the works of the classical writers. This also is, therefore, among Mr.
GRENVILLE’S books; and of one of the two editions of _Virgil_, both
dated the same year, 1514, he purchased a large paper copy, because it
was the more correct of the two.
‘It was the merit of the work, the elegance of the volume, the “genuine”
condition of the copy, &c., which together determined Mr. GRENVILLE to
purchase books printed on vellum, of which he collected nearly a
hundred. He paid a very large sum for a copy of the Furioso of 1532, not
because it was “on ugly vellum,” as he very properly designated it, but
because, knowing the importance of such an edition of such a work, and
never having succeeded in procuring it on paper, he would rather have it
on expensive terms and “ugly vellum,” than not at all.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account