XXIV. _Fifth Greek Room_, seventeen feet by twenty-four.—On a pedestal, facing the great Greek gallery, might stand the semi-archaic Apollo, from Byzantium. [Sidenote: SIXTH GREEK ROOM.] XXV. _Sixth Greek or Phigaleian Room_, thirty-eight feet by twenty-four.—Here would be the casts from the Temple of Theseus, and the sculptures and casts from the Temple of Wingless Victory, both of the middle of the fifth century, B.C.; also the Phigaleian collection, which is a somewhat later production of the same school. The friezes, arranged in two rows, would just fill the room. [Sidenote: SEVENTH GREEK ROOM.] XXVI. _Seventh Greek or Parthenon Room._—Here would commence the grand suite of galleries for large sculptures, of which the general breadth would be forty-two feet, and the height from thirty to thirty-five feet. By its side would run a secondary suite, twenty feet wide, and from fifteen to twenty feet high, for minor specimens, of which the interest generally is rather archæological than artistic. These latter objects are both more conveniently classified, and more favourably seen, in small rooms; if placed in large galleries, beside grand monumental works, they lose importance themselves, whilst they fritter away the effect of what is really more valuable. The Seventh Greek Room, which is two hundred and forty-one feet long, would contain only the remains of the Parthenon; which might be arranged as indicated in the Plan, so as at once to keep the pedimental groups and the frieze from interfering with each other, and to distinguish, more accurately than is now done, the original connection or disconnection of the several slabs of the frieze. As we possess the entire frieze from the east end of the temple, and casts of the entire frieze from the west, these two are here arranged opposite each other, towards the middle of the two side walls of the room. On either side are the slabs from the north and south flanks of the temple, which are mostly disconnected. In front of the casts from the west is a proposed full-sized model of part of the entablature, supported by one original and five restored capitals, with the upper parts of their shafts, and incorporating ten of the metopes, so as to explain their original combination with the architecture. The total height of this model might be about eighteen feet. The metopes not included in it should be attached to the wall opposite, over the frieze. The finest of the pedimental groups would face the grand entrance from the Lycian Gallery, through which the whole might be seen in one view, from any distance less than forty-eight feet. If it were desired to retain the two small models of the Parthenon in the room, they might stand near the south end. [Sidenote: EIGHTH GREEK ROOM.]