Lives of the Founders of the British Museum, Part 2 of 2: With Notices of Its Chief Augmentors and Other Benefactors, 1570-1870.Edwards, Edward
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Lives of the Founders of the British Museum, Part 2 of 2: With Notices of Its Chief Augmentors and Other Benefactors, 1570-1870.
Edwards, Edward
Book collectors -- Great Britain; British Museum
There are blank windows on the north side of the principal staircase
that would have to be cut through to light the new room, and
additional light could be admitted if necessary. On the south of the
projected new room is a narrow room, ninety-four feet by twenty-four
(No. 3), designated as the Roman Gallery, the light of which is very
defective, especially on the side of the windows opening under the
front colonnade. The Collections of Antiquities contain some large
objects, more interesting archæologically than artistically, for which
light on each side of them is very desirable. If the wall now
separating the staircase from No. 3 were removed, and pilasters or
columns substituted (the upper part of that wall in the floor above
might likewise be removed if desirable), a room ninety-four feet by
sixty, giving an area of five thousand six hundred and forty feet,
admirably adapted for antiquities of this kind, would be obtained.
[Sidenote: TRUSTEES’ PRESENT OFFICES.]
At the western extremity of the Roman Gallery (No. 3), and turning
southward, are the Trustees’ room (No. 4), two rooms for clerks (No. 5
and 6), and the study of the Principal-Librarian (No. 7). It is
proposed to remove all the partition walls inside the space occupied
by No. 4, 6, and 5, and by the corridor on the east of No. 4, and to
open windows on the west side at the same height, and uniform with
those in the gallery No. 17, of which this part of the building would
then be a continuation, opening a communication like that on the
corresponding side on the east (between No. 56 and 63). The Egyptian
Gallery might thus be extended to the total length of four hundred and
sixty-five feet.
[Sidenote: NEW BUILDINGS ON NO. 11.]
Public-domain text, read in full here on John Shaqi.
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