Lives of the most eminent literary and scientific men of France, Vol. 1 (of 2)Shelley, Mary Wollstonecraft
Science
Lives of the most eminent literary and scientific men of France, Vol. 1 (of 2)
Shelley, Mary Wollstonecraft
Authors, French -- Biography
The life of this celebrated fabulist is marked by fewer incidents than
the generality even of literary lives. Unambitious, indolent, "simple,"
it has been said, "as the heroes of his own fables," and subject to the
most whimsical lapses of thought and memory, his habitual state was a
sort of abstracted ruminating quietism, roused from which, he amused by
his singularities, or delighted by his inspirations. He lived almost a
stranger to the literary disputes of his time. Personal resentment or
dislike was a feeling too uncongenial, and an effort too fatiguing, for
him to sustain, beyond the excitement of the moment, even on two
occasions when he was wantonly ill used. His designation of "bon homme,"
first applied to him by Boileau and Racine, then by the public, and
since by posterity, paints him very happily. The particulars recorded of
him are what would naturally be expected--traits of character rather
than events.
Jean de la Fontaine was born on the 8th day of July, 1621, at Château
Thierry. Some of his biographers have maintained his pretensions to
nobility with a silly zeal. His father, Jean de la Fontaine, was master
or keeper of the royal domains in his district, which appears to have
been an honourable charge. The youth of the poet gave no promise of his
future success. He was remarkable only for his dulness, and a certain
easy tractable good nature. His teachers pronounced him a well disposed
but hopeless dunce; but his father, a very zealous and still more
undiscerning admirer of poetry, resolved that he should cultivate the
muses,--and poor La Fontaine laboured with all the complaisance of
filial duty. His efforts were vain. He could not produce a rhyme,--he
who afterwards rhymed with so much felicity and abundance,--and who
alone, of all the poets of his country, before and since his time, has,
by the disposition of his rhymes and the structure of his verses,
completely vanquished the monotony of French versification.
Public-domain text, read in full here on John Shaqi.
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