Foucquet provoked, not only the displeasure, but the personal jealousy and vengeance of Louis XIV., by rivalling him in princely magnificence at Vaux; and in gallantry, it has been said, by making pretensions to the royal mistress La Vallière[48]; yet had La Fontaine not only the generosity to adhere to him, but the courage, for such it was, to solicit his pardon of Louis XIV., in an elegy full of touching pathos and philosophy. Alluding to the fickleness of fortune and court favour, he says:-- "On n'y connait que trop les jeux de la fortune, Ses trompeuses faveurs, ses appas inconstans, Mais on ne les connait que quand il n'est plus temps." To move Louis he brings before him the example of Henry IV.-- "Du magnanime Henri qu'il contemple la vie, Des qu'il put se venger, il en perdit l'envie." Louis, however, alike insensible to justice, mercy, and poetry, changed, by a mockery of commutation, the minister's sentence of banishment into solitary confinement for life. Colbert, the enemy and successor of Foucquet, could not forgive the crime of fidelity to a fallen patron in a poet, and took away La Fontaine's pension. La Fontaine, it has been observed, was in his twenty-third year before he gave the least indication of the poetic faculty. He had passed his fortieth before his genius and reputation attained their full height and splendour. A small volume, entitled "Contes et Merveilles en vers," published with his name, in 1664, determined his place as a poet, established his supremacy over all fabulists, modern and ancient, and formed an epoch in French literature. His fortune did not improve with his fame. It is true that his celebrity made him known to the prince of Condé and the duke and abbé de Villars, by whom, as well as by the duchesses of Bouillon and Mazarin, he was occasionally and liberally supplied; but his want of all order and economy rendered their liberality unavailing, because it was irregular and occasional.