Lives of the most eminent literary and scientific men of France, Vol. 1 (of 2)Shelley, Mary Wollstonecraft
Science
Lives of the most eminent literary and scientific men of France, Vol. 1 (of 2)
Shelley, Mary Wollstonecraft
Authors, French -- Biography
There was, however, nothing very surprising either in Pelisson dying
like a sinner, or La Fontaine like a saint. The former, from being a
huguenot, became a convert, and a maker of converts, a pensioned abbe, a
courtier, an author of "Prayers at Mass," "Amatory Verses to Olympia,"
"a Treatise on the Eucharist;" there was nothing extraordinary or
inconsistent in such a man dying, as he did, "unsacramented." It was
equally within the range of probability that La Fontaine, never an
infidel, always tractable and simple, and now beset on his bed of
sickness by learned and skilful disputants, should make so devout and
edifying an end. It should not be omitted that his conversion made the
fortune of father Poujet: he immediately became a fashionable confessor,
or spiritual director, and obtained church preferment.
The epigrammatist was mistaken in La Fontaine's death. He lived about
two years more, in the house of madame d'Hervart; and, in spite of his
vow, is supposed to have written some more tales; among them the tale
entitled "La Clochette." This relapse is said to be alluded to in the
prologue cited by Moreri:--
"O combien l'homme est inconstant, divers,
Foible, leger, tenant mal sa parole:
J'aurais juré-même, en assez beaux vers,
De renoncer à tout conte frivole,
Et quand juré--c'est ce qui me confond--
Depuis deux jours j'ai fait cette promesse,--
Puis fiez vous à rimeur qui répond
D'un seul moment," &c.
His mind, however, seems to have been deeply tinged with devotion, from
his illness, in 1693, to his death, in 1695. He began to translate the
church hymns; and read, at the first meeting of the academy which he
attended after his illness, a translation of the "Dies Iræ," with more
advantage to his reputation as a catholic than as a poet. His talent
seems now to have given way to age, infirmity, and the penances which he
appears to have imposed upon himself.
Lulli, who died a few years before, did public penance, like La
Fontaine, but with an after-thought worthy of the cunning Florentine. He
burned, at the request of his confessor, the music of a new unperformed
opera. A prince having asked him, a few days after, how he could be so
silly as to destroy charming music at the desire of a drivelling
jansenist, he replied, "Hush, hush, monseigneur; I knew what I did; I
have another copy." He, however, had a relapse, did penance in sackcloth
and ashes, and died, with a halter round his neck, singing the hymn,
"Sinner, thou must die," with tears of remorse and agony.
La Fontaine died in 1695, and in the seventy-fourth year of his age.
Upon undressing his body, after death, it was found that he mortified
himself in a shirt of sackcloth. The apartment in which he lived and
died, at the house of madame d'Hervart, was visited as an interesting
object for several years after.
Public-domain text, read in full here on John Shaqi.
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